by John Rocco ; Jay Primiano ‧ RELEASE DATE: April 8, 2014
Nevertheless, fills the bill for teens looking for an atypical action adventure.
A teen goes to desperate lengths to save his family’s diner in this unevenly executed fishing drama set on Narragansett Bay.
Fourteen-year-old Jake Cole’s father was lost at sea last year. Since then, he and his mother haven’t been able to keep up with the family diner’s mortgage payments to the local loan sharks. His mother is ready to give up and move in with his grandmother in Arizona, but Jake has a plan. Previously polluted Barrington Beach is about to be reopened for quahog harvesting. If he and his father’s old quahogging buddy Gene can pull enough clams once the beach reopens, they may be able to raise most of the mortgage money. Jake is working on getting the rest of the money by illegally fishing at night with a mysterious man he calls Captain, who claims to have known his father. But when Gene is hurt in a boating accident, Jake must work Barrington Beach alone. Can he pull enough quahogs to pay off the mob? While the distinct, clearly realized setting details distinguish this title from the vast schools of novels for young teens swimming in the publishing sea, choppy pace and perfunctory dialogue drag it down to the ocean floor.
Nevertheless, fills the bill for teens looking for an atypical action adventure. (map) (Fiction. 12-15)Pub Date: April 8, 2014
ISBN: 978-0-7636-6905-8
Page Count: 294
Publisher: Candlewick
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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by Jerry Spinelli ‧ RELEASE DATE: Aug. 3, 2021
Characters to love, quips to snort at, insights to ponder: typical Spinelli.
For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.
On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.
Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-30667-3
Page Count: 240
Publisher: Knopf
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
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by Sarah Arthur ‧ RELEASE DATE: Jan. 30, 2024
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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