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STORM PREY

Razor-sharp dialogue, a tautly controlled pace and enough homicides for a miniseries. What more could fans want?

Despite its inaccurate, generic and dumb title—what’s next, Murder Prey?—Lucas Davenport’s 20th case is one of his best.

“We don’t hurt anyone,” Lyle Mack tells his brother Joe and their biker buddies Mikey Haines and Shooter Chapman as he conducts one last on-site review of their plans to rob the pharmacy in the Minneapolis Medical Center. But despite the thieves’ success, Haines’s temper gets away from him, and he kicks pharmacist Don Peterson to death. Even worse, their car is spotted by a witness who gets a good look at Joe as they’re leaving the parking garage. Worst of all, the witness is Dr. Weather Karkinnen, a reconstructive surgeon who goes home each night from her demanding job—which these days involves surgery to separate a pair of 18-month-old twins joined at the head—to the arms of Lucas Davenport, her husband. Since the cops have one way of identifying Haines, whose victim managed to get some of his killer’s blood under his fingernails before he bled out, and another of identifying Joe, the conspirators have every incentive to cut telltale ends short, even if those telltale ends include each other. None of them is very smart, and Minnesota’s Bureau of Criminal Apprehension would probably have them under lock and key by nightfall if they only stood pat. Instead, however, Lyle calls on Cappy Garner, a friend with some experience as a hit man even though he’s not old enough to buy a beer, and then the fireworks begin. By the time Sandford calls it quits, eight more cast members will be dead, and virtually all the survivors will have been stalked, chased, shot at or otherwise menaced by all manner of tough guys. And by the time those two twins are finally separated, the one new relationship that will have blossomed is an unlikely friendship between an aspiring killer and his mentor.

Razor-sharp dialogue, a tautly controlled pace and enough homicides for a miniseries. What more could fans want?

Pub Date: May 1, 2010

ISBN: 978-0-399-15649-6

Page Count: 416

Publisher: Putnam

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: March 15, 2010

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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