A Heinlein-like adventure for a serious sci-fi fan.
Scalzi (Redshirts, 2012, etc.) offers his fifth in the Old Man’s War series.
The Colonial Union keeps peace among the universe’s humans, albeit one fractured after Earth’s withdrawal. Blame John Perry and Jane Sagan, Roanoke Colony leaders. Earth’s billions had provided Colonial Defense Forces troopers and outpost settlers, which allowed the Colonial Union to cope with the machinations of the Conclave, an alliance of alien (nonhuman) species. Scalzi rockets characters through assorted space adventures, with repeated appearances by Lt. Harry Wilson, CDF technician and Earth native, who finds himself wherever the action is, whether that’s in space disarming a missile trap set for the Utche, an alien species with whom the Colonial Union is negotiating, or caring for an ambassador’s dog whose survival figures into an alien civil war. Other players pop up repeatedly, including two CDF colonels, a hard-line ambassador and a female starship captain. Starships use "skip drive" to outwit Einsteinian physics and "skip drones" to communicate across light years. Human characters communicate in dialogue laced with 21st-century humor and irony, even among the CDF troopers (repurposed 75-year-old earthlings) equipped with "BrainPals," neural-computer implants. The aliens too function with socioethical and political mores replicating Machiavelli, authoritarians or third-rate dictators. Laced with oddball humor, the plot is not so esoteric that a newbie to sci-fi’s outlier world cannot follow, and the science buy in isn’t so great as to cause those who mastered introductory physics to stumble. The story simply launches human quandaries and foibles into the universe—greed, aggression, duplicity, arrogance, chauvinism and other distinctly human negatives—where they are imposed on alien circumstances, creatures and environments. Females share power and failure equally, but sex and romance take a back seat to wildcat settlements, derring-do heroes, missiles fired and messages misunderstood, all of which are offset by stunning technology, imagined landscapes and the covert destruction of Earth Station by spaceships piloted by brains-in-boxes. That makes for a gateway to the next episode.
A Heinlein-like adventure for a serious sci-fi fan.Pub Date: May 14, 2013
ISBN: 978-0-7653-3351-3
Page Count: 432
Publisher: Tor
Review Posted Online: March 10, 2013
Kirkus Reviews Issue: April 1, 2013
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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