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HE LANDS IN PALM SPRINGS

A deeply felt but rather sedate exploration of love and new beginnings.

Gay priests, starting over in sunny California, weather mild relationship turbulence in this romance novel.

This follow-up to Shekleton’s Father Tierney Stumbles (2011) finds Joe Tierney, a gay Catholic priest who lost his job as pastor of a Midwestern parish after he publicly came out, arriving in the wealthy desert town of Palm Springs. He’s there to take a job as a housekeeper at gay resort Casa Vista Oro, and to repair his relationship with his ex-boyfriend, Kenny O’Connor,whom he’d dumped out of fear and shame. Kenny feels guilty that Joe contracted HIV from him, but he also has a new Marine boyfriend, Jasper Wylands, to whom he’s committed. Fortunately for Joe, another prospect emerges in an attractive, 23-year-old sex worker named Oscar Del Rio, a mature, thoughtful man who recognizes a kindred soul in Joe and establishes a platonic friendship with him—albeit one with lots of sexual tension. Complicating things is the arrival of Edward Brockton, an older, gay Episcopal priest who counseled Joe in the past and now hopes to kindle a romance with him—and maybe with Oscar, too. Meanwhile, Casa Vista Oro’s proprietor, Cy Anastasis, sets out to disrupt Joe and Oscar’s relationship because he fears that Oscar might contract HIV—and so he can continue enjoying Oscar’s services himself. Cy undermines Joe through subtle machinations, such as renting a room to Kenny and Jasper in the hope that seeing them together will send Joe into a breakdown, and trying to lure Joe into appearing in a porn video so that his halo of priestly idealism will be tarnished in Oscar’s eyes.

Shekleton’s yarn explores his characters’ psyches with sensitivity and nuance, and he subtly registers both the niceties of social pressure—“He was the image of a peón before the master: dark-skinned, sweaty and subservient,” the half Mexican, half Irish Joe reflects, when summoned by Cy for a talk—and the quiet intensity of longing: “ ‘I was falling in love with him,’ Edward said, just above a whisper. His eyes wet, he blinked back tears.” Unfortunately, the novel’s interiority means that nothing much happens beyond people ruminating and calling each other up for dates and having heart-to-hearts. The characters spend a lot of time gazing at one another, but when explicit sex occurs, it’s tastefully done and not at all disruptive. Joe’s angst over his HIV status and residual Catholic guilt feels overdone in a gay-friendly Palm Springs that welcomes him with open arms, and the moral dilemmas that Cy’s ploys pose—to be, or not to be in a porn film?—seem contrived and silly. Shekleton’s attempt to combine the setting’s hedonism with knotty spiritual depth means that characters often sound like couples counselors, even when he’s a sex worker talking about a ménage à trois (“The real point I want to make is...you are both attractive to me, as friends...and more than friends. Something we experienced fully last night”). As a result, the novel feels more sluggish than torrid.

A deeply felt but rather sedate exploration of love and new beginnings.

Pub Date: N/A

ISBN: N/A

Page Count: 199

Publisher: Mo Keijuk Press

Review Posted Online: Sept. 21, 2020

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THE RULE BOOK

Haphazard and undemanding.

A sports agent’s first official client is the man she dumped years ago in college.

After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.

Haphazard and undemanding.

Pub Date: April 2, 2024

ISBN: 9780593723678

Page Count: 368

Publisher: Dell

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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