A creatively constructed narrative that doesn’t come together in a fully satisfying way.


Siwicki’s follow-up to his 2009 novel Expression explores themes of time, memory, perception, and consciousness through a story of an ordinary man’s brush with death.

Sam Young leads a simple, straightforward life in his small hometown. After he graduates, he opens a photography studio, and earns an honest living as a community photographer. Even his love life follows a narrow path, as he lives with his first love, Esther, a pretty nurse at the local hospital. Although the couple sometimes dream of moving to a city to further Sam’s photography career or Esther’s modeling aspirations, they’re relatively complacent in their provincial life. Siwicki’s introductory prose is clear and descriptive. However, the main characters lack dimension, and readers may find it a challenge to become invested in their story. Sam’s ordinary life is shaken up, though, when a mysterious man from a prestigious magazine commissions him to photograph the estate of a famed, missing architect. Sam embarks on a long, overnight drive to the site. Alone in the car, he muses about the transitory nature of memories and life. These interludes read like a surrealist film monologue: “Is everything just a solitary moment? Is time eventually used up, then gone forever? Where does time come from, and where does it go?” As Sam drives along the highway, Siwicki explores the four possible states of consciousness that give the novel its title, and the consequences of each. The premise is intriguing, and it would probably translate well as a film. However, its execution here is confusing. During the driving segments, for example, Siwicki refers to Sam simply as “the driver,” and readers may initially think that he’s a different character. It’s also difficult to decipher which events transpire in reality and which don’t; however, that may be the author’s point. Sam’s camera also seems to play a sort of magical role, but this idea isn’t fully realized.

A creatively constructed narrative that doesn’t come together in a fully satisfying way.

Pub Date: June 17, 2013

ISBN: 978-1480288355

Page Count: 234

Publisher: CreateSpace

Review Posted Online: Feb. 18, 2015

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Shalvis’ latest retains her spark and sizzle.


Piper Manning is determined to sell her family’s property so she can leave her hometown behind, but when her siblings come back with life-changing secrets and her sexy neighbor begins to feel like “The One,” she might have to redo her to-do list.

As children, Piper and her younger siblings, Gavin and Winnie, were sent to live with their grandparents in Wildstone, California, from the Congo after one of Gavin’s friends was killed. Their parents were supposed to meet them later but never made it. Piper wound up being more of a parent than her grandparents, though: “In the end, Piper had done all the raising. It’d taken forever, but now, finally, her brother and sister were off living their own lives.” Piper, the queen of the bullet journal, plans to fix up the family’s lakeside property her grandparents left the three siblings when they died. Selling it will enable her to study to be a physician’s assistant as she’s always wanted. However, just as the goal seems in sight, Gavin and Winnie come home, ostensibly for Piper’s 30th birthday, and then never leave. Turns out, Piper’s brother and sister have recently managed to get into a couple buckets of trouble, and they need some time to reevaluate their options. They aren’t willing to share their problems with Piper, though they’ve been completely open with each other. And Winnie, who’s pregnant, has been very open with Piper’s neighbor Emmitt Reid and his visiting son, Camden, since the baby’s father is Cam’s younger brother, Rowan, who died a few months earlier in a car accident. Everyone has issues to navigate, made more complicated by Gavin and Winnie’s swearing Cam to secrecy just as he and Piper try—and fail—to ignore their attraction to each other. Shalvis keeps the physical and emotional tension high, though the siblings’ refusal to share with Piper becomes tedious and starts to feel childish.

Shalvis’ latest retains her spark and sizzle.

Pub Date: Jan. 28, 2020

ISBN: 978-0-06-296139-6

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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