An engrossing look at the realities of aid work that veers somewhat off-course.

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TOKOLOSI

In this debut novel, a team of drought-relief workers faces challenges in early 1990s sub-Saharan Africa. 

The plot intertwines the stories of Tsabo Mashedi, a young man from the village of Katama in an imagined African nation, and Harry Burke, a retired management consultant who is drafted to aid the drought-relief efforts in that country. Tsabo is born into poverty but is able to attend a mission school, eventually earning a scholarship to study law at Oxford. There, he is tutored by Harry’s cousin Dermot, befriending the retired consultant in the process. After Tsabo graduates, he returns home to assist his family. Harry is soon coincidentally assigned by the United Nations to help organize relief work in Tsabo’s country. Harry arrives in Kolokuana, the southern province’s major city, and discovers that he’ll be working with Tsabo, who has taken on a role with the U.N. The third main member of their team is Jack, a retired civil servant and a less-than-eager worker. Jack’s reticence is just one of the hurdles they must face in crafting a bottom-up aid plan; they must also deal with a corrupt and often unhelpful local government, the increasing prevalence of HIV, and the difficulty of reaching and providing help to remote villages. As they slowly make headway in the project, the group’s progress is threatened by the nation’s increasing civil unrest. Skinner adeptly balances lighter and darker moments throughout the story; although the problems the characters encounter are monumental, there is still space for humor and compassion within the plot. The main characters have some depth to them, although some side players lapse into caricatures. But the author’s narrative frame is needlessly complicated; Dermot narrates the book, but he constantly interrupts the tale to say that he is recording these impressions from diaries he has received from the other two main characters. He only becomes centrally involved later in the volume. But Dermot’s own story does not match the tone of the rest of the novel, turning a mostly realistic portrait of relief efforts into an international thriller of sorts. 

An engrossing look at the realities of aid work that veers somewhat off-course.

Pub Date: Feb. 28, 2018

ISBN: 978-1-5144-9925-2

Page Count: 398

Publisher: XlibrisUK

Review Posted Online: March 23, 2018

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An exuberant comic opera set to the music of life.

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DEACON KING KONG

The versatile and accomplished McBride (Five Carat Soul, 2017, etc.) returns with a dark urban farce crowded with misjudged signals, crippling sorrows, and unexpected epiphanies.

It's September 1969, just after Apollo 11 and Woodstock. In a season of such events, it’s just as improbable that in front of 16 witnesses occupying the crowded plaza of a Brooklyn housing project one afternoon, a hobbling, dyspeptic, and boozy old church deacon named Cuffy Jasper "Sportcoat" Lambkin should pull out a .45-caliber Luger pistol and shoot off an ear belonging to the neighborhood’s most dangerous drug dealer. The 19-year-old victim’s name is Deems Clemens, and Sportcoat had coached him to be “the best baseball player the projects had ever seen” before he became “a poison-selling murderous meathead.” Everybody in the project presumes that Sportcoat is now destined to violently join his late wife, Hettie, in the great beyond. But all kinds of seemingly disconnected people keep getting in destiny's way, whether it’s Sportcoat’s friend Pork Sausage or Potts, a world-weary but scrupulous white policeman who’s hoping to find Sportcoat fast enough to protect him from not only Deems’ vengeance, but the malevolent designs of neighborhood kingpin Butch Moon. All their destines are somehow intertwined with those of Thomas “The Elephant” Elefante, a powerful but lonely Mafia don who’s got one eye trained on the chaos set off by the shooting and another on a mysterious quest set in motion by a stranger from his crime-boss father’s past. There are also an assortment of salsa musicians, a gentle Nation of Islam convert named Soup, and even a tribe of voracious red ants that somehow immigrated to the neighborhood from Colombia and hung around for generations, all of which seems like too much stuff for any one book to handle. But as he's already shown in The Good Lord Bird (2013), McBride has a flair for fashioning comedy whose buoyant outrageousness barely conceals both a steely command of big and small narrative elements and a river-deep supply of humane intelligence.

An exuberant comic opera set to the music of life.

Pub Date: March 3, 2020

ISBN: 978-0-7352-1672-3

Page Count: 384

Publisher: Riverhead

Review Posted Online: Dec. 9, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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