A thoroughly enjoyable literary sojourn by a master of historical fiction.

THE TEN THOUSAND THINGS

With this richly told historical novel, English author Spurling (A Book of Liszts, 2011, etc.) takes readers back to the China of seven centuries ago.

Wang Meng is descended from an emperor yet is content to support himself and his wife with a minor bureaucratic post in the Yuan dynasty. Wang’s true calling is art. To his wife’s chagrin, the middle-aged man would love to spend his days contemplating waterfalls and painting landscapes; she wishes he had more ambition. Meanwhile, the country is in the midst of turbulence and upheaval. Bandits roam the countryside. Wang leaves his home several times, once at the behest of the White Tigress, a beautiful woman who leads a group of bandits. Wang himself is a gentle soul, but he has plenty of sense in devising military stratagems. The great strength of this novel is not so much the plot but the rich detail that sets the reader in the middle of China. As Wang paints waterfalls and witnesses beheadings, Spurling paints an exquisite story of a deeply decent man and his surroundings. One almost feels that the author just returned from the 14th century carrying a notebook brimming with observations large and small. Yet the story moves along when it needs to—it has action, some of it violent—but pauses often to describe some of the 10,000 things in nature. When Wang goes to prison and contemplates endless time, a friend observes that in the long run, “Emperors and shit buckets are all one.” Wang Meng was a real person famous for his richly detailed paintings, and this novel imagines the fabric of the last decades of his life. Spurling’s novel is a work of art in itself.

A thoroughly enjoyable literary sojourn by a master of historical fiction.

Pub Date: April 10, 2014

ISBN: 978-1-4683-0832-7

Page Count: 368

Publisher: Overlook

Review Posted Online: Feb. 6, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Romance and melodrama mix uneasily with mass murder.

THE WINTER GUEST

An 18-year-old Polish girl falls in love, swoons over a first kiss, dreams of marriage—and, oh yes, we are in the middle of the Holocaust.

Jenoff (The Ambassador’s Daughter, 2013, etc.) weaves a tale of fevered teenage love in a time of horrors in the early 1940s, as the Nazis invade Poland and herd Jews into ghettos and concentration camps. A prologue set in 2013, narrated by a resident of the Westchester Senior Center, provides an intriguing setup. A woman and a policeman visit the resident and ask if she came from a small Polish village. Their purpose is unclear until they mention bones recently found there: “And we think you might know something about them.” The book proceeds in the third person, told from the points of view mostly of teenage Helena, who comes upon an injured young Jewish-American soldier, and sometimes of her twin, Ruth, who is not as adventurous as Helena but is very competitive with her. Their father is dead, their mother is dying in a hospital, and they are raising their three younger siblings amid danger and hardship. The romance between Helena and Sam, the soldier, is often conveyed in overheated language that doesn’t sit well with the era’s tragic events: “There had been an intensity to his embrace that said he was barely able to contain himself, that he also wanted more.” Jenoff, clearly on the side of tolerance, slips in a simplified historical framework for the uninformed. But she also feeds stereotypes, having Helena note that Sam has “a slight arch to his nose” and a dark complexion that “would make him suspect as a Jew immediately.” Clichés also pop up during the increasingly complex plot: “But even if they stood in place, the world around them would not.”

Romance and melodrama mix uneasily with mass murder.

Pub Date: Aug. 26, 2014

ISBN: 978-0-7783-1596-4

Page Count: 352

Publisher: Harlequin MIRA

Review Posted Online: July 1, 2014

Kirkus Reviews Issue: July 15, 2014

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