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U&ME: Communicating in Moments that Matter

A useful book for anyone intent on bettering personal communications in the modern era.

Accessible distillation of current research on how to build communication skills that can create meaningful personal moments and enrich our lives.

Now that face-to-face interaction has, for the most part, been overtaken by truncated, disembodied communication via email, video, tweets, and other social media, it’s likely that our one-on-one talking skills have gotten a little rusty. Stewart (Bridges Not Walls, 2012), professor emeritus of communications at the University of Dubuque, brings his professional and personal expertise to the problem of making our oral and even texted or Skyped communications as uniquely personal as possible in a world that has grown impersonal (disturbingly so, some might say). In his book, a revised edition that adds a PC-drenched chapter on multicultural communication, Stewart endeavors to show us methods for restoring these skills and even transposing them onto device-driven formats. “The challenge we face in the 21st century is that widespread cultural pressures are pushing us to connect impersonally most of the time,” he says, and this foreshortens our humanity. To redress this transformative trend and restore the natural personal-impersonal balance, we should, he says, within reasonable limits, strive for the personal touch that can unleash humanness. This means conveying our uniqueness, responding mindfully rather than reacting in knee-jerk fashion, showing empathy and respect, and bringing our emotion, spirit, and psyche to our exchanges. Stewart’s book is admirably organized to teach these techniques first, then, in later chapters, show how they can be applied in dating and romance, with family and friends, at work and school, and in spiritual and multicultural settings. There is also a helpful chapter on how to avoid “mis-meetings,” those botched or untimely failed efforts at human connection that vex us all. In these somewhat neutered pages, Stewart does acknowledge that saying or hearing the words “I love you” ranks as the personal moment that matters most, but he doesn’t go far enough in considering the power of Eros and even of our physical appearance in creating these moments. Indeed, using communication strategies to create our most transcendent moments is a little like trying to catch lightning in a bottle.

A useful book for anyone intent on bettering personal communications in the modern era.

Pub Date: July 7, 2014

ISBN: 978-1938552267

Page Count: 294

Publisher: The Taos Institute Publications

Review Posted Online: June 16, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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