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VOLD BOOK’S COMETA MINOR

A NOVEL SET TO MUSIC

A complex SF yarn that juggles multiple character journeys, not always successfully.

In Trautman’s SF novel, lovers aim to restore cosmic balance when a harmonious city comes under the threat of authoritarian rule.

Various timelines unfold across time and space in Eλλas, “as it was then known” (it is now known as the Milky Way). Pandara and Koravo are two lovers from Ksevia, a city in Tristulle. Ksevia’s commune is presided over by Arkdemus, guardian of The Graphia Cometa text, aided by Lohrnum, a drug that promotes “balance and harmony.” Political unrest erupts and threatens the Yuit—“the collective mind of Ksevia”—and the wider universe. Pandara and Koravo escape into the city’s surrounding forest, a mysterious landscape integral to the populace’s birth and death cycles (“when someone steps out into the wilderness, a child is born”). As Pandara and Koravo wander deeper into the “unfolding, distant dream of Sirrung,” they encounter Seprator, who warns them of “a dangerous journey” and a prophecy yet to be fulfilled. Koravo’s dream about Pandara becoming lost in a labyrinth comes true when the two are separated into dreamlike, shifting states, unable to communicate. The lovers must reunite to save each other and their city. Trautman’s novel details an expansive realm and many characters across its narrative strands. Readers will be intrigued by the jumps in time and place; in this universe, “All times exist right now, all times except for the future. The future is a constantly gyrating sphere of possibilities.” The author sacrifices character development in favor of in-depth worldbuilding, leading to some tangential plotlines that distract from the novel’s central quest, but the novel’s structure is cleverly replicated by the in-story puzzle box architecture—readers will be kept guessing by this pacy novel. The short chapters effectively flesh out the wider world where democracy is under threat, though the political landscape is overshadowed by the emotionally layered core relationship.

A complex SF yarn that juggles multiple character journeys, not always successfully.

Pub Date: Oct. 1, 2026

ISBN: 9798999752291

Page Count: 332

Publisher: Vold Book

Review Posted Online: Sept. 12, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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