Based largely on eyewitness accounts, this reconstruction of ``the best known and least understood major event in our history'' depicts the American Revolution not as a rational movement based on Locke's ideas—but as a conflict buffeted by the passions of unruly men. The title refers not only to the song played by the British at their Yorktown surrender but also to the upheaval caused by the eight-year conflict. Although his descriptions of the Boston Massacre and Boston Tea Party push his narrative off to a rousing, iconoclastic start, Tebbel (coauthor, The Magazine in America, 1991, etc.) doesn't expand the pre-Revolutionary era beyond the Massachusetts theater and can't quite maintain the breathless pace of these set pieces. In his eagerness to save the American Revolution from mummification, he uses present tense and colloquial narration, sometimes to arch effect (``And where is our boy Lafayette?''). He also exaggerates our contemporary glorification of the war (every schoolkid still knows that these were ``the times that try men's souls''). But Tebbel does detail to often stunning effect the problems that plagued the patriots: starving and badly paid soldiers; a citizenry as apathetic as it was opportunistic; a dithering and impotent Continental Congress; recruiting scandals; profiteering contractors; and vicious attacks and reprisals by rebels and loyalists. Although the author admires George Washington for his dogged perseverance and Daniel Morgan for his buckskin charisma, he takes pleasure in the portrait dipped in acid— including ones of Samuel Adams, the Boston firebrand never squeamish about bending truth in the service of propaganda; John Paul Jones, the tyrannical sea-dog-turned-legend by refusing to give up the battle; and General Charles Lee, Washington's one-time second-in-command, a misanthrope who loved dogs more than people- -and who, while in prison, plotted to betray the rebels. Not quite the bottom-rail view of history to which it aspires, nor as revisionist as it hopes—but often vividly impressionistic. (Four maps)
Pub Date: July 4, 1993
ISBN: 0-517-58955-9
Page Count: 464
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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