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JUST LOOKING

ESSAYS ON ART

This collection of 23 essays on art by one of our leading novelists should come as no great surprise, for in his fiction Updike is a master of complex visual detail. He approaches his current subject matter with modesty, though; he does not regard himself as an expert on art, but instead resolutely takes a middle position of "just looking." Updike begins with a bouquet of roses and weeds extended to the Museum of Modern Art. In the archly titled "What MoMa Done Told Me," the author traces early childhood memories of looking at pictures in "sophistication's toy shop." There, he discovered in the landscapes and nudes of Cézanne and Matisse an idyllic world that consoled his need for religious feelings. MOMA became his cathedral where, when stressed, he could go to gain the spiritual courage to become an artist himself. However, by the 1960's and 70's, the temple became overrun by moneylenders, who opted for "a greedy open-endedness' and "a bigger souvenir shop." The rest of the pieces her are less personal and more eclectic, and deal with various art exhibits that Updike has reviewed for such journals as Réalities and The New Republic. They present a generally balanced combination of reporting and reflection, with a slight nod toward the jocular magisterial. Updike is fond of witty pronouncements: The total impression of a 1985 Renoir retrospective, for instance, left on his retina "an accumulated taste of artificial sweetener." More sympathetic if no less sophisticated essays deal with the artists of children's books: Andrew Wyeth's Helga exhibition; and a very perceptive and heartfelt study of artistic melancholy, based on the life and works of cartoonist Ralph Barton. A lavishly illustrated, oversized volume, with numerous (132) full-color illustrations setting off the text and charming the eye. Now here's a gift book worth giving—or receiving.

Pub Date: Oct. 17, 1989

ISBN: 0878465774

Page Count: 232

Publisher: Knopf

Review Posted Online: Oct. 6, 2011

Kirkus Reviews Issue: Sept. 15, 1989

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NEW DIGS FOR BEAU

Small in scope, but will attract readers interested particularly in dogs, moving, and Manhattan.

Nicely varied pictures support a story that will appeal specifically to dog-lovers, children who have just moved houses (or are just about to), and readers familiar with New York City and Central Park.

Beau, a Dalmatian, moves from "a house with a great big yard and lots of grass and trees" to an apartment on the West Side of Manhattan. Sitting in the new apartment, ignored by the movers and surrounded by boxes, Beau wonders sadly where his favorite objects are and whether he’ll ever make new friends. He looks mournfully out the window and sees a huge park—and there are dogs running around! He immediately runs out the door and onto the city streets all by himself. Traffic and streetlights intimidate him briefly, but he soon latches on to a dog-walker and her dogs. Beau joins them for Frisbee and "leap dog," digging holes, and chasing squirrels and pigeons. His new pals jump into a fountain, but Beau decides he better not track muddy paws into his new apartment. Returning home with a promised play-date for the next day, he takes a refreshing drink from the toilet bowl and curls up on his favorite couch. Margolis winks at readers as Beau's owners (appearing for the first time) lament how boring and lonely Beau's day must have been. Frequent misplaced and missing commas are a distraction, but the illustrations use color well for cheer and atmosphere, and angles and perspective vary and remain interesting.

Small in scope, but will attract readers interested particularly in dogs, moving, and Manhattan. (3-5)

Pub Date: N/A

ISBN: 1-4134-6361-4

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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A SMALL CABIN THAT ONE PERSON CAN BUILD

In definite need of editorial direction but makes a case for the author–whatever his name is–getting his own...

Step-by-step instructions on how to build a home in an economical and artistically unique way.

Owning a home doesn’t have to be a trying ordeal, says Madison, who reports that he built his own house with little more than his own muscle power and ingenuity. Though he claims not to be particularly handy, he managed to create a fully functional cabin complete with electricity, running water and Internet access as part of a journey that was both fulfilling and therapeutic. He takes readers through the process, from cutting down trees and laying the foundation for the floor to installing the piping and electricity to detailing plans to build additional modules. Pictures and diagrams complement the text, and the author even discusses his future plans to fully automate the cabin. In addition to the down-and-dirty details, he uses quotes from a number of philosophers–Aristotle, Locke, Rousseau and others–to help explain his motivation: It was as much about testing his own abilities as it was about creating a physical shelter. On one level, this is a practical guide that contains pertinent information for people who actually want to build their own cabin. On another, it’s a fascinating look inside the mind of a man who chose to go against the grain and who writes with such folksy charm and comical practicality that you can’t help but applaud him for bucking the system. Those not interested in building their own homes will be bored senseless by the technical details and some of the long-winded endnotes, but entertaining anecdotes–such as how the author munches on blackberries while simultaneously trimming his beard in his yard to lay down a barrier of human scent that deters snakes–keep the pages turning.

In definite need of editorial direction but makes a case for the author–whatever his name is–getting his own home-improvement show.

Pub Date: Jan. 10, 2006

ISBN: 1-4196-1593-9

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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