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MEMORIES OF THE FORD ADMINISTRATION

His dreadful play of some years back, Buchanan Dying, must have left Updike with a raft of research material that he seems now to have taken and thrust into the fictional hands of a New Hampshire girls'-college historian, Alf Clayton, who's writing a sympathetic book about Buchanan, the president that had the misfortune to usher in the Civil War. Clayton also is writing a personal recollection of his chaotic sexual and family situation during the Gerald Ford administration—this makes up the narration here—and thus Updike can move freely inside two ideas: that the past is no more knowable than the confusing present, and that things—even if they do it at wrenching cost—"bump on," work out. Clayton has left his wife and family of three to live alone yet sleep with Genevieve. Genevieve's "The Perfect Wife" of a creepy deconstructionist—who finally sabotages the affair with a bit of deconstruction of his own devising. Alf sees sex, during the 70's, mostly as pathos, determined taboo-breaking that yields little more than manners; this is contrasted with the historical judgment of Buchanan, whose good instincts have been forgotten in favor of his ill-stars ("the erratic haft-steps whereby a people effects moral change and whereby well-intentioned men of substance seek amid agitation and the long stasis of contending equal interests the path of least general harm"). It's a novel about failure—and that paradoxical spinoff of failure, optimism. The Buchanan stuff, though, is gluey, boring; and Alf's Gongoristic high-style, stuffed with tropes and excruciated vocabulary, is rarely more palatable. It's the sex, as so often with Updike, that you come to the table for and is the most filling thing here—the grace notes of man/woman perceptiveness for which Updike is rightly renowned. The idea of macro- and micro-history clearly is something Updike wanted to chew over (as he did the ramifications of computers in Roger's Version) but it's the grounded experience of wanting and losing that grows the grass.

Pub Date: Nov. 3, 1992

ISBN: 0449912116

Page Count: 384

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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