A mixed bag, worth dipping into—especially for Griffiths.
Down and Out in Cardiff and Abersytwyth, with variations.
Not enough, actually, in this uneven gathering of 18 stories by 12 contemporary Welsh writers, who embody the wavering commitment to ethnic identity discussed in editor Williams’s witty introduction. The volume starts off smashingly with Sean Burke’s “The Trials of Mahmood Mattan,” a rich re-creation of the (historical) false conviction and execution of a Somali immigrant for the murder of a Welsh pawnbroker. Its Dostoevskyan intensity casts a shadow almost instantly defused by an overabundance of sketchy exercises in kitchen-sink realism (though a few might as accurately be labeled “bidet realism”)—framed in gritty tours through man streets and sweaty sheets (e.g., Anna Davis’s “Hiding in Cheesy’s Bedroom,” Rachel Trezise’s “Valley Lines,” Lloyd Robson’s “The Vinegar Mix”). Similar materials are better treated in Trezza Azzopardi’s limpid picturing of an unemployable loner (“Shorthold”) and Tessa Hadley’s Doris Lessing–inflected chronicle of a woman political activist’s empty love life (“The Enemy”). Mordant humor redeems Desmond Barry’s knowing tale of a petty criminal whose “Fresh Start” in America is imperiled by his manic-depressive girlfriend—and strikes refreshing sparks in Malcolm Pryce’s “Human See, Human Do,” a detective-story parody so perfectly calibrated that it makes perfect sense when a search for a missing chimpanzee is complicated by the scientifically created fear of flowers. Editor Williams contributes a lively story about an amusingly cretinous career criminal (“The Colonel and the Mercenary”). Best of all are three stories from Rabelaisian iconoclast Niall Griffiths: a foul-mouthed account of the attempted—and bungled—burglary of a gay couple’s posh digs (“Turd-burglars”); a beautifully crafted ghost story about the ultimate worst in a rented room (“Fran and the Witch and Me”); and a distinctly weird vignette (“Stigmata”) in which a schoolroom tiff escalates into a bloody religious experience (so to speak).
A mixed bag, worth dipping into—especially for Griffiths.Pub Date: April 15, 2005
ISBN: 0-7475-6606-2
Page Count: 288
Publisher: Bloomsbury UK/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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