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WRITTEN IN BLOOD

Sixteen-year-old Jim has left his 1870s home in Canada and, based on clues from an old letter, is traveling to the Mexican border village of Casas Grandes in search of his long-missing father. Along the vividly depicted trail, he encounters several lightly sketched characters who offer him their stories.  Each one usefully provides hints to his father’s past. Some, like Ed, are purely, over-the-top, evil. Others—cave-dwelling, half-Apache Too-ah-yay-say; amiable, elderly Mexican Santiago; and Nah-kee-tats-an, another Apache, who conveniently shows up precisely when most needed—provide key information and wisdom as Jim draws his own conclusions about his mysterious father. Violent, graphically depicted death abounds. Near the climax, Ed’s exposition on the past goes on for too many pages to be fully believable, and much of the dialogue is similarly expository. Still, chapters are short and action filled, Jim is a likable character and reluctant readers will find this to be a fast-paced, easy-to-swallow tale of the Old West. (Historical fiction. 11-14)

Pub Date: Oct. 1, 2010

ISBN: 978-1-55469-270-5

Page Count: 168

Publisher: Orca

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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BAMBOO PEOPLE

Well-educated American boys from privileged families have abundant options for college and career. For Chiko, their Burmese counterpart, there are no good choices. There is never enough to eat, and his family lives in constant fear of the military regime that has imprisoned Chiko’s physician father. Soon Chiko is commandeered by the army, trained to hunt down members of the Karenni ethnic minority. Tai, another “recruit,” uses his streetwise survival skills to help them both survive. Meanwhile, Tu Reh, a Karenni youth whose village was torched by the Burmese Army, has been chosen for his first military mission in his people’s resistance movement. How the boys meet and what comes of it is the crux of this multi-voiced novel. While Perkins doesn’t sugarcoat her subject—coming of age in a brutal, fascistic society—this is a gentle story with a lot of heart, suitable for younger readers than the subject matter might suggest. It answers the question, “What is it like to be a child soldier?” clearly, but with hope. (author’s note, historical note) (Fiction. 11-14)

Pub Date: July 1, 2010

ISBN: 978-1-58089-328-2

Page Count: 288

Publisher: Charlesbridge

Review Posted Online: May 31, 2010

Kirkus Reviews Issue: June 15, 2010

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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