A striking volume of irreverent, Mormon-centric gay tales.
In this collection of short stories, gay members of the Church of Jesus Christ of Latter-day Saints attempt to survive their sexually conservative religion.
Some devout Mormon men meet on a weekly basis and have sex with one another, though they justify it by claiming that it’s to keep them from behaving inappropriately with their girlfriends before marriage. An excommunicated gay Mormon runs into his old mission companion, who reminds him of an accidental death that occurred during a baptism. A married gay man decides he must overcome his bias by having sex with men from every race. A group of Mormons goes into a gay bar to try to convert the clientele, but things don’t go quite according to plan. In 18 stories, Townsend (Behind the Bishop’s Door, 2017, etc.) places his characters in positions that put their cultural upbringings at odds with the multifaceted realities of human sexuality. A typical example of this friction is found in “Shadow Boxing,” in which a closeted Mormon man gets a job at a video shop where gay men have sex through glory holes specifically to tease himself in order to overcome temptation: “Preston had read somewhere that the great leader Gandhi had slept every night beside naked women so he could test his moral stamina. If Preston were ever to manage marrying a woman in the temple, he had to know he could resist any and all temptation.” Townsend writes in an easy-flowing, frequently funny prose that captures the worldviews and personalities of his characters with minimal words. The tales are of a piece with his previous fictional works (quite numerous now), which rib Mormon and gay culture and make regular use of ridiculous puns (one story is called “MoreMen Tabernacle Queer”). While the author is generally at his best when working as a satirist, there are some fine, understated touches in these tales that will likely affect readers in subtle ways. Not every story lands perfectly, and Townsend sometimes stumbles into uncomfortable territory (see sex with men from every race), but readers should come away impressed by the deep empathy he shows for all his characters—even the homophobic ones.
A striking volume of irreverent, Mormon-centric gay tales.Pub Date: Sept. 1, 2017
ISBN: 978-1-63492-630-0
Page Count: 242
Publisher: Booklocker.com, Inc.
Review Posted Online: April 27, 2018
Kirkus Reviews Issue: June 15, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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