From anagrams (Elvis Lives!, 2000) and palindromes (Palindromania!, 2002), Agee moves to a more rudimentary form of wordplay, pairing spoonerisms framed as questions and answers (“What did Rapunzel say to the filthy giant?” “You need to shake a tower”) with literal, simply drawn ink-and-wash visual interpretations. The author opens with a brief introduction to William Archibald Spooner, and closes with superfluous “translations” of each punch line. His humor in these 28 examples is sometimes crude (see title, which answers, “What did the cowboy say to the rocket scientist?”), and, as in Shel Silverstein’s Runny Babbit (2005), the joke definitely wears thin—but readers of the target mentality may be tempted to rake the tall and bun with it. (Nonfiction. 6-8)
Pub Date: April 1, 2006
ISBN: 0-7868-3692-X
Page Count: 64
Publisher: Michael di Capua/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Cute and brave—gee, Rot’s spud-tacular!
A “scaredy-spud” puts on his brave face.
All “mutant potatoes” love mud. Mud is good for playing games, eating, and even sleeping. But few taters have more tender feelings toward muck than Rot. À la Pete the Cat, Rot celebrates mud in song: “Mud between my toes! / Mud in my nose! / Mud is GREAT / wherever it GOES!” When Rot’s big brother, Snot, tells Rot about the Squirm that lives “deep down in the mushy muck,” his love quickly turns to fear. But he doesn’t give up! Instead, Rot imagines himself in various disguises to work up courage. There’s “Super Spud” (a superhero), “Sir Super Rot, the Brave and Bold” (a superhero-knight), and even “Sir Super Rot the Pigtato” (a, um, superhero-knight-pig-potato). The disguises are one thing, but, deep down, is Rot really brave enough to face the Squirm? Readers wooed by Rot’s charm in Rot: The Cutest in the World (2017) will laugh out loud at this well-paced encore—and it’s not just because of the butt cracks. Clanton creates a winning dynamic, balancing Rot’s earnestness, witty dialogue, and an omniscient, slightly melodramatic narrator. The cartoon illustrations were created using watercolors, colored pencils, digital collage, and—brilliantly—potato stamps. Clanton’s reliance on earth tones makes for some clever, surprising page turns when the palette is broken.
Cute and brave—gee, Rot’s spud-tacular! (Picture book. 6-8)Pub Date: June 16, 2020
ISBN: 978-1-4814-6764-3
Page Count: 40
Publisher: Atheneum
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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