A convincing premise collapses in a farce that celebrates the excess, hedonism, and craven stupidity in a business where...

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SONGS FROM NOWHERE NEAR THE HEART

Coy, smugly assured satire in which Boston rock musicians mismanage their images in order to vie for a fat recording contract.

What’s next for the quartet Seventeen after a riot at Providence, Rhode Island, club fails to generate sufficient publicity to attract major label interest? DeeDee Vanian, the executive with XOFF Records who rigged the riot, tells band members Neil, Chavez, Don, and Ross that they must wait six months before XOFF can decide whether it wants to extend of their contract. Neil, the handsome, charismatic guitarist, who lost his $3,000 microphone in the melee, quits the band and finds himself lured into a side project called Limna, managed by Annika, a sexually ambiguous former drug-company marketing director whom DeeDee met and hired at the Providence riot. DeeDee agrees to put both bands on the road, claiming the one that gets the biggest following, and the most media attention, will get a contract. Right off the bat, Limna gets more attention, especially when Neil publicizes the fact that he is “straight-edge,” that is, he—along with Annika and his bandmates—forgoes sex, meat and drugs, or so they say. Don and Ross, putting their faith in their songs, find themselves left behind, even when they discover that Limna’s music is incoherent and unlistenable. Veering between sit-com silliness, as when Annika uses her albino brother to out-witch a Haitian maid whom DeeDee consults on all executive decisions, and the beautifully sad moments when Don recalls his pathetic father, first-novelist Baird (Day Job, a nonfiction business book, not reviewed), who is also a graphic designer, augments his text with grungy illustrations, ironic sidebars, and comic asides.

A convincing premise collapses in a farce that celebrates the excess, hedonism, and craven stupidity in a business where music is the last thing anyone cares about.

Pub Date: May 1, 2001

ISBN: 0-312-27207-3

Page Count: 336

Publisher: Minotaur

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2001

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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When a book has such great comic timing, it's easy to finish the story in one sitting.

THE HONEY-DON'T LIST

A toxic workplace nurtures an intoxicating romance in Lauren’s (The Unhoneymooners, 2019, etc.) latest.

Rusty and Melissa Tripp are the married co-hosts of a successful home-makeover show and have even published a book on marriage. After catching Rusty cheating on Melissa, their assistants, James McCann and Carey Duncan, are forced to give up long-scheduled vacations to go along on their employers' book tour to make sure their marriage doesn’t implode. And the awkwardness is just getting started. Stuck in close quarters with no one to complain to but each other, James and Carey find that the life they dreamed of having might be found at work after all. James learns that Carey has worked for the Tripps since they owned a humble home décor shop in Jackson, Wyoming. Now that the couple is successful, Carey has no time for herself, and she doesn’t get nearly enough credit for her creative contribution to their media empire. Carey also has regular doctor’s appointments for dystonia, a movement disorder, which motivates her to keep her job but doesn’t stop her from doing it well. James was hired to work on engineering and design for the show, but Rusty treats him like his personal assistant. He’d quit, too, but it’s the only job he can get since his former employer was shut down in a scandal. Using a framing device similar to that of Liane Moriarty’s Big Little Lies, the story flashes forward to interview transcripts with the police that hint at a dramatic ending to come, and the chapters often end with gossip in the form of online comments, adding intrigue. Bonding over bad bosses allows James and Carey to stick up for each other while supplying readers with all the drama and wit of the enemies-to-lovers trope.

When a book has such great comic timing, it's easy to finish the story in one sitting.

Pub Date: March 24, 2020

ISBN: 978-1-9821-3864-6

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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