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WRIGGLY PIG

Wriggly Pig can't keep still: he's a pain in the car, kicks sand at the beach, and distresses other customers in the cafÇ to which his family is foolish enough to take him. At wits' end, they consult a doctor (a patient-looking goat) from whom Wriggly bolts so fast that he knocks himself out on an inconveniently placed mailbox. By the time he comes to, his parents are glad to have him squirm, whereas he—in a burst of unlikely resolution- -vows to ``try to keep still.'' Despite the contrived outcome, similar sufferers will enjoy seeing themselves (or their young) so amusingly depicted—especially in the nonstop activity evoked by Jenkin-Pearce's irrepressibly wiggly fine lines and splashes of color. (Picture book. 3-7)

Pub Date: May 22, 1992

ISBN: 0-688-11295-1

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1992

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I CAN BE ANYTHING!

A young boy wonders aloud to a rabbit friend what he will be when he grows up and imagines some outrageous choices. “Puddle stomper,” “bubble gum popper,” “mixing-bowl licker,” “baby-sis soother” are just some of the 24 inspiringly creative vocations Spinelli’s young dreamer envisions in this pithy rhymed account. Aided by Liao’s cleverly integrated full-bleed mixed-media illustrations, which radiate every hue of the rainbow, and dynamic typesetting with words that swoop and dive, the author’s perspective on this adult-inspired question yields some refreshingly child-oriented answers. Given such an irresistible array of options—“So many jobs! / They’re all such fun”—the boy in the end decides, in an exuberant double gatefold, “I’m going to choose… / EVERY ONE!”—a conclusion befitting a generation expected to have more than six careers each. Without parents or peers around to corral this carefree child’s dreams, the possibilities of being whatever one wants appear both limitless and attainable. An inspired take on a timeless question. (Picture book. 3-6)

Pub Date: March 1, 2010

ISBN: 978-0-316-16226-5

Page Count: 32

Publisher: Little, Brown

Review Posted Online: April 14, 2011

Kirkus Reviews Issue: Jan. 1, 2010

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THE NONSENSE SHOW

A picture book made to incite pleasure and joy.

The celebrated picture-book artist enthusiastically joins the nonsense tradition. 

Carle’s nearly 50-year career has produced myriad concept books about counting, the alphabet, and colors, as well as simple, original stories, retellings of fairy tales, and picture books that push the physical boundaries of the form. This latest proves that Carle can reinvent himself as a creator in the field, as he now revels in the absurd, eschewing any pretense of teaching a concept or even engaging with story. Instead, spread after spread uses nonsensical text and sublimely ridiculous pictures to provoke laughter and head-shaking delight. In addition to the book’s title, art immediately cues the book’s silly tone: the cover displays one of Carle’s signature collages against an empty white background; it depicts a duckling emerging from a peeled-back banana peel. The title-page art presents a deer sprouting flowers rather than antlers from its head. When the book proper begins, and language joins illustration, readers are ushered into a series of situations and scenarios that upend expectations and play with conventions. “Ouch! Who’s that in my pouch?” asks a kangaroo with a little blond child instead of a joey in her pouch. Another scene shows two snakes, joined at the middle and looking for their respective tails.

A picture book made to incite pleasure and joy. (Picture book. 3-7)

Pub Date: Oct. 13, 2015

ISBN: 978-0-399-17687-6

Page Count: 40

Publisher: Philomel

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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