by Jon Bradshaw edited by Alex Belth ‧ RELEASE DATE: March 17, 2021
Exemplary journalism by a writer who deserves to be in every nonfiction anthology and textbook henceforth.
A long-overdue anthology of writings by a great—and now largely forgotten—long-form journalist.
Charming, handsome, and erudite, Bradshaw, who died in 1986 at age 48, surprised no one when Mick Jagger crossed a room to spend an hour chatting with him. Said biographer A. Scott Berg, according to editor Belth, “he was possibly the most social animal I ever knew.” Yet while the parties were in full swing, Bradshaw would get to his typewriter, writing impeccable stories that embodied top-flight literary journalism. Some of the pieces here touch writers such as W.H. Auden, who emerges as a somewhat grumpy slob, just this side of a hoarder, who saw himself as a working stiff who worked in language as others worked at lathes. For any Auden admirer, this opening sketch is worth the price of admission. The same holds for Bradshaw’s piece on Tom Stoppard, who observes that he preferred to write for the stage rather than the far more lucrative medium of TV because “in a theater one has the full attention of one’s audience, whereas while watching television one tends to glance at the newspaper, to talk, or to answer the telephone.” Bradshaw loved the social scenes on both coasts, as his portrait of the Polo Lounge reveals in a time just after W.C. Fields, John Barrymore, Sadakichi Hartmann, and others “formed the nucleus of an eccentric group of drinkers.” Surveying the lounge in all its seedy glory, he wrote, “dark, and filled with smoke and noise, it is populated with an unspeakable motley….The place creates an instant and malign impression on the mind and one turns away as from a lazaretto.” Alas, one suspects that it was a few too many cocktails and cigarettes that felled Bradshaw at such a young age—but not before turning in definitive character studies of the likes of Chris Blackwell, New York proto-gangbangers, and, perhaps best of the lot, Germany’s Baader-Meinhof gang.
Exemplary journalism by a writer who deserves to be in every nonfiction anthology and textbook henceforth.Pub Date: March 17, 2021
ISBN: 978-1-73354-014-8
Page Count: 320
Publisher: ZE Books
Review Posted Online: Nov. 20, 2020
Kirkus Reviews Issue: Dec. 15, 2020
Share your opinion of this book
by Jennette McCurdy ‧ RELEASE DATE: Aug. 9, 2022
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
Awards & Accolades
Likes
15
Our Verdict
GET IT
New York Times Bestseller
IndieBound Bestseller
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
Share your opinion of this book
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
Awards & Accolades
Likes
21
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2015
Kirkus Prize
winner
New York Times Bestseller
IndieBound Bestseller
Pulitzer Prize Finalist
National Book Award Winner
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
Share your opinion of this book
More by Ta-Nehisi Coates
BOOK REVIEW
by Ta-Nehisi Coates ; illustrated by Jackie Aher
BOOK REVIEW
BOOK REVIEW
More About This Book
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.