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MAGGIE'S TREASURE

A wise and satisfying read.

Maggie collects “treasure” until her home is bursting with it, then figures out a creative way to share its joys.

People in her neighborhood think Maggie is picking up trash; her neighbor, the city workers, and even the mayor thank her for service. But when her treasure grows beyond a box to fill a drawer and then the cupboards and even the yard, people in the neighborhood begin to talk. But only when her parents have had enough and Maggie herself sees that it’s too much does she start thinking what she can do about it. She works at her idea for days and finally invites people to come take “free riches.” From her bits and pieces, she has created beautiful things, like jewelry and painted rocks, as well as useful things, like telescopes and music makers. Her neighbors come and take her creations home; they learn the value of “treasure,” and Maggie learns that she doesn’t need it all. Bright colors, lanky, stylized bodies in dramatic gestures, and pages busy with collections of objects combine to form an engaging set of pictures for young readers to pore over. While the premise of the story may give some adults pause, the gentle message, dynamic illustrations, and endearing protagonist make this title a winner. Maggie is brown-skinned like her father; her mother appears to be White. (This book was reviewed digitally with 11-by-16.8-inch double-page spreads viewed at 67.5% of actual size.)

A wise and satisfying read. (Picture book. 4-9)

Pub Date: Sept. 1, 2020

ISBN: 978-1-77306-237-2

Page Count: 32

Publisher: Groundwood

Review Posted Online: June 29, 2020

Kirkus Reviews Issue: July 15, 2020

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THE BIG CHEESE

From the Food Group series

From curds to riches, from meltdown to uplift—this multicourse romp delivers.

A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.

From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.

From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)

Pub Date: Nov. 7, 2023

ISBN: 9780063329508

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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