A much-needed picture book that will enlighten a new generation about battles won and a timely call to uphold these...

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LILLIAN'S RIGHT TO VOTE

A CELEBRATION OF THE VOTING RIGHTS ACT OF 1965

In a book commemorating the Voting Rights Act of 1965, readers are introduced to 100-year-old black Alabaman Lillian, who recalls her long-delayed journey to exercise her American right to vote 50 years ago.

As Lillian climbs the “very steep hill” to the courthouse to vote, she reminisces about the struggles that African-Americans faced and overcame on the way to the passage of the historic law that dismantled the widespread exclusionary practices that African-Americans encountered to that point and guaranteed their right to vote. She’s reminded of the legacy of slavery that her great-grandparents Edmund and Ida survived and of the 19th Amendment, which allowed women to vote, yet angry mobs of white locals forced her parents to back away, holding little Lillian by the hand. She pauses to recall the actions in Selma, 1965. She arrives at the voting booth and presses the lever. In Evans’ mixed-media illustrations, a stooped Lillian makes her slow way up the hill as the tableaux of history play out on the page. She is dressed in vibrant colors, contrasting with the faded, translucent historical images. A burning cross figures in one powerful spread; another joins 100-year-old Lillian to her 50-years-younger self at the gutter, emphasizing her determination to claim her rights.

A much-needed picture book that will enlighten a new generation about battles won and a timely call to uphold these victories in the present. (author’s note) (Picture book. 4-8)

Pub Date: July 14, 2015

ISBN: 978-0-385-39028-6

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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Inspiration, shrink wrapped.

WHAT THE ROAD SAID

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 8, 2021

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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