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THE ROCHE LIMIT

A well-written yet off-base thriller that would benefit from more plot and less stereotyping.

In Vesterberg’s debut novel, an Army major in an undercover terrorist-targeting program has a change of heart about America’s role in the world.

Vesterberg skillfully portrays Maj. Bob Faller, who travels overseas to interview an informant but finds that the bloodied, dying man is Mahmoud, an old friend. In the tradition of political/military thrillers, Faller is hellbent on learning what went wrong with this “asset.” His investigation leads him to Florida to see billionaire Sheldon Orelson, a former strip-club owner who’s also an amateur astronomer. Orelson tells him about the Roche Limit, the moment one celestial body comes close enough to another to be torn apart by it, thus ceasing to exist independently. It’s a none-too-subtle analogy for “the powers that be.” Tension builds until Faller finds his boss’s body at their office in Virginia. Though it appears the obese boss choked on his KFC, Faller suspects a different kind of foul play and finds a memory card in the man’s throat. He grabs it and goes on the run. So is he a patriot or a traitor? No matter, for most readers will see him as a bigot. This modern-day Archie Bunker sees women as unfit for the military, blacks as perpetually aggrieved, Jews as Holocaust-obsessed and liberals as “graying hippies.” It’s no surprise Faller’s marriage is shaky or that he doesn’t have a good relationship with his daughter, who happens to run the Chicago campaign office of the “African Muslim Communist” running for president. Halfway through the book, the momentum sputters when a serious health challenge makes Faller re-examine his life, apparently forsaking some of his bigotry. Yet his change of heart doesn’t ring true, as he abandons lifelong beliefs, even voting for “the Communist.” Whatever his voting preferences, the social commentary distracts from an otherwise engrossing tale, especially when the racism goes off the rails: “With their ball caps turned sideways, the jungle bunnies jig towards their subsidized housing on the other side of the interstate. They look really excited—as if they were on their way to swing from Lady Bird’s chandeliers, stink up the Oval Office with drug-laced Black & Milds and stain James Madison’s chairs with their foul-smelling, greasy hair products.”

A well-written yet off-base thriller that would benefit from more plot and less stereotyping.

Pub Date: June 13, 2013

ISBN: 978-0615801452

Page Count: 244

Publisher: Exilio Press

Review Posted Online: Aug. 15, 2013

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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