Top-notch nature writing in service of a magnificent, vulnerable creature.
An American scientist chronicles his travels through remote Russian landscapes to study the elusive and endangered Blakiston’s fish owl.
From the very first pages, Slaght, the Russia and Northeast Asian Coordinator for the Wildlife Conservation Society, grips readers with vivid language and tight storytelling. His many months trekking through the icy wilderness to find and track rare fish owls—the largest owl on Earth—inform a narrative that blends field research, personal journey, and adventure writing. Part of the book’s success lies in the author’s ability to present the stakes and draw out the tension therein, making what could be a dry tale of bird-watching a compelling story of the necessity of conservation. In this case, the stakes include the owls' disappearing habitat but also Slaght’s livelihood. “Fieldwork is often regular repetition of challenging or unpleasant activities,” writes the author, “an application of persistent pressure to a question until the answer finally emerges.” In the bitter cold terrain of eastern Russia, it’s that much more difficult. Throughout the book, Slaght lives up to his rugged-conservationist persona as he writes of helter-skelter snowmobile trips circumnavigating rushing rivers of ice, vodka-soaked encounters with village locals, and solitary, achingly beautiful nights observing the majestic owls firsthand. He is an engaging writer who imbues each scene with an intimate sense of place. “The nights dragged on,” he writes, “a deep winter stillness perforated by occasional firecracker-like pops: ice expanding in tree cracks as air temperatures plummeted after sunset. The adult female fish owl was like a ghost. We heard her vocalize with her mate almost every night, but she appeared onscreen only once, when she hit our snare but pulled the knot free before we reached her.” The cast of characters he brings to life—both human and avian—illuminates the delicate symbiosis of the natural world and sheds a welcome light on the remarkable creatures that are too little known.
Top-notch nature writing in service of a magnificent, vulnerable creature.Pub Date: Aug. 4, 2020
ISBN: 978-0-374-22848-4
Page Count: 368
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
PERSPECTIVES
PERSPECTIVES
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...
An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.
Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.Pub Date: March 3, 2015
ISBN: 978-0802123411
Page Count: 288
Publisher: Grove
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
BOOK REVIEW
Exemplary writing about the world and a welcome gift to readers.
Distinguished natural history writer and explorer Lopez (Outside, 2014, etc.) builds a winning memoir around books, voyages, and biological and anthropological observations.
“Traveling, despite the technological innovations that have brought cultural homogenization to much of the world, helps the curious and attentive itinerant understand how deep the notion goes that one place is never actually like another.” So writes the author, who has made a long career of visiting remote venues such as Antarctica, Greenland, and the lesser known of the Galápagos Islands. From these travels he has extracted truths about the world, such as the fact that places differ as widely as the people who live in them. Even when traveling with scientists from his own culture, Lopez finds differences of perception. On an Arctic island called Skraeling, for instance, he observes that if he and the biologists he is walking with were to encounter a grizzly feeding on a caribou, he would focus on the bear, the scientists on the whole gestalt of bear, caribou, environment; if a native of the place were along, the story would deepen beyond the immediate event, for those who possess Indigenous ways of knowledge, “unlike me…felt no immediate need to resolve it into meaning.” The author’s chapter on talismans—objects taken from his travels, such as “a fist-size piece of raven-black dolerite”—is among the best things he has written. But there are plentiful gems throughout the looping narrative, its episodes constructed from adventures over eight decades: trying to work out a bit of science as a teenager while huddled under the Ponte Vecchio after just having seen Botticelli’s Venus; admiring a swimmer as a septuagenarian while remembering the John Steinbeck whom he’d met as a schoolboy; gazing into the surf over many years’ worth of trips to Cape Foulweather, an Oregon headland named by Capt. James Cook, of whom he writes, achingly, “we no longer seem to be sailing in a time of fixed stars, of accurate chronometers, and of reliable routes.”
Exemplary writing about the world and a welcome gift to readers.Pub Date: March 20, 2019
ISBN: 978-0-394-58582-6
Page Count: 592
Publisher: Knopf
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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