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American Solace

A FAR FUTURE COMING OF AGE MYTHIC FANTASY

While serving large helpings of unfamiliar vocabulary, this post-apocalyptic novel still delivers a solid coming-of-age...

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In the far future, a young descendant of Native Americans embarks on a vision quest to discover his totem.

Little Owl, or Miintikwa, 17, lives along the Wabash River, where the fish are scarce and starvation looms. His people, the Peeyankihšionki, were spared when the fifth world ended long ago. An abandoned town, Waayaahtanonki, lies north and could be recolonized, but the area is considered ghost-ridden; to the south live the Ciipaya, an implacable enemy. Overwhelmingly curious about what lies north, Owl decides to head for Waayaahtanonki on a vision quest. He’s surprised and pleased when childhood friend Red Willow joins him; she’s a skilled hunter and warrior—and increasingly, unsettlingly attractive. A Ciipaya warrior seeking “the Lake Erie talisman” attacks the pair; Willow leaves Owl to escort the Ciipaya back to his territory. Journeying northward, Owl becomes astounded and puzzled by remnants of civilization: bridge pilings, buildings, glass. He decides to find the cove where his people emerged from the fifth world. There, he’s stunned and terrified to behold Mihšipinšiwa, “Underwater Panther,” but the underworld god grants Owl informative visions about how the last age ended. Owl faces several dangers and more revelations before he can return home with the knowledge to save his people. In his debut novel, Cook melds a futuristic post-apocalyptic story with a classic coming-of-age quest tale, adding interest with authentic details from Native American culture, such as herbal healing and arrow-making. Owl and Willow’s young love is fairly standard but warm. Cook depicts the Peeyankihšionki with appreciation for the tribe’s multilayered politics and offers some intriguing future history, though its mechanics remain somewhat murky. As are other elements: why would historical patterns repeat themselves so exactly thousands of years later? Are non–Native Americans simply evil? And the Native American words employed liberally throughout are big stumbling blocks for the reader. They’re long, of uncertain pronunciation, and many look much the same at first glance: Mihši-maalhsa, Myaamionki, Mihšipinšiwa, Mishiginebig, and Meehšimeelwia, for example.

While serving large helpings of unfamiliar vocabulary, this post-apocalyptic novel still delivers a solid coming-of-age adventure.

Pub Date: Oct. 3, 2015

ISBN: 978-1-5174-6554-4

Page Count: 282

Publisher: N/A

Review Posted Online: May 25, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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