While serving large helpings of unfamiliar vocabulary, this post-apocalyptic novel still delivers a solid coming-of-age...

American Solace

A FAR FUTURE COMING OF AGE MYTHIC FANTASY

In the far future, a young descendant of Native Americans embarks on a vision quest to discover his totem.

Little Owl, or Miintikwa, 17, lives along the Wabash River, where the fish are scarce and starvation looms. His people, the Peeyankihšionki, were spared when the fifth world ended long ago. An abandoned town, Waayaahtanonki, lies north and could be recolonized, but the area is considered ghost-ridden; to the south live the Ciipaya, an implacable enemy. Overwhelmingly curious about what lies north, Owl decides to head for Waayaahtanonki on a vision quest. He’s surprised and pleased when childhood friend Red Willow joins him; she’s a skilled hunter and warrior—and increasingly, unsettlingly attractive. A Ciipaya warrior seeking “the Lake Erie talisman” attacks the pair; Willow leaves Owl to escort the Ciipaya back to his territory. Journeying northward, Owl becomes astounded and puzzled by remnants of civilization: bridge pilings, buildings, glass. He decides to find the cove where his people emerged from the fifth world. There, he’s stunned and terrified to behold Mihšipinšiwa, “Underwater Panther,” but the underworld god grants Owl informative visions about how the last age ended. Owl faces several dangers and more revelations before he can return home with the knowledge to save his people. In his debut novel, Cook melds a futuristic post-apocalyptic story with a classic coming-of-age quest tale, adding interest with authentic details from Native American culture, such as herbal healing and arrow-making. Owl and Willow’s young love is fairly standard but warm. Cook depicts the Peeyankihšionki with appreciation for the tribe’s multilayered politics and offers some intriguing future history, though its mechanics remain somewhat murky. As are other elements: why would historical patterns repeat themselves so exactly thousands of years later? Are non–Native Americans simply evil? And the Native American words employed liberally throughout are big stumbling blocks for the reader. They’re long, of uncertain pronunciation, and many look much the same at first glance: Mihši-maalhsa, Myaamionki, Mihšipinšiwa, Mishiginebig, and Meehšimeelwia, for example.

While serving large helpings of unfamiliar vocabulary, this post-apocalyptic novel still delivers a solid coming-of-age adventure.

Pub Date: Oct. 3, 2015

ISBN: 978-1-5174-6554-4

Page Count: 282

Publisher: N/A

Review Posted Online: May 25, 2016

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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