GIELGUD

The career of one of the 20th century’s greatest classical actors, explored at length in this respectful biography.

Gielgud’s movie success late in life (most notably his Oscar-winning performance in Arthur) may have brought him mass attention, but it was his lifelong theater work that made him a legend. His early career got off to a poor start, though, despite his family’s lineage of celebrated thespians (including his great-aunt Ellen Terry, considered the greatest actress of her time). His movement was generally poor, and his diction, while precise and musical, often seemed affected. He was shy and acutely self-conscious as well—insecurities that lasted a lifetime. Gielgud possessed an intense desire to succeed, however, and he used his vocal musicality and understanding of verse to become a revered interpreter of Shakespeare—both as actor and director. StageWrite editor Croall chooses to cover his subject’s professional ups and downs in a well-researched but often exhaustive manner. Gielgud’s approach to his work and his stage partnerships with actors such as Ralph Richardson, Peggy Ashcroft, and Edith Evans are documented. Recollections from peers, critics, and his many devotees, past and present (including Richard Burton, Judi Dench, and Kenneth Branagh), provide a vivid portrait of the man—and the accounts of his celebrated rivalry and love-hate relationship with Laurence Olivier lend a gossipy tone. The author is very protective of the actor’s personal life—even though Gielgud’s homosexuality is acknowledged matter-of-factly, his 40-year relationship with Martin Hensler is only touched upon. Likewise, Gielgud’s 1953 arrest in a Chelsea public lavatory is vaguely discussed. Ultimately, it’s the actor’s own witty, self-deprecating, yet proud words that best humanize him.

An intelligent and well-documented account. (8 pages b&w photos)