Readers interested in Kraus will be better served by Reitter’s The Anti-Journalist: Karl Kraus and Jewish Self-Fashioning...
Two angry men rail against their culture.
Franzen (Farther Away: Essays, 2012, etc.) discovered Austrian essayist, playwright and poet Karl Kraus (1874–1936) when he studied in Berlin in 1981-1982. A prominent social critic in early-20th-century Vienna, Kraus had been long forgotten, but his work resonated with Franzen, who saw the sharp, bitter writer as a kindred spirit. Franzen calls Kraus a “farseeing prophet” who hated, above all, the media, which thrived on gossip and was antagonistic to the “kind of spirituality/imaginativeness that, as Kraus saw it, makes us human.” As a kind of homage, Franzen has translated four of Kraus’ essays for this bilingual, profusely annotated edition. He warns readers that Kraus is a difficult writer, and in translation, his work comes across as stilted and awkward. The essays themselves, however, may be less interesting to readers than the extensive annotations. Sometimes a few lines by Kraus, for example, are followed by several pages of notes: Franzen’s autobiographical ruminations and detailed, informative historical context by Ohio State professor Paul Reitter. Novelist Daniel Kehlmann, a friend of Franzen, also rings in with comments. Franzen’s personal reflections focus on his response to Kraus, his early ambitions and frustrations as a writer, his engagement to the woman he eventually married and the reasons he embraced “anger as a way of life” at the age of 22. Although he claims that he has outgrown his former rage, like Kraus, he is critical of much in his own culture: Apple products, Steve Jobs, French literary theory, Salman Rushdie’s tweets, 1,000-page biographies, the blogosphere, Amazon, John Updike, social media, Facebook and assaults to the natural environment.
Readers interested in Kraus will be better served by Reitter’s The Anti-Journalist: Karl Kraus and Jewish Self-Fashioning (2008). This book is for Franzen’s fans.Pub Date: Oct. 1, 2013
ISBN: 978-0374182212
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 16, 2013
Kirkus Reviews Issue: Sept. 1, 2013
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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