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THE LAST BRAZIL of BENJAMIN EAST

Name: THE LAST BRAZIL of BENJAMIN EAST
Author: Jonathan Freedman
ISBN: 9781939555106

A NOVEL

by Jonathan Freedman ‧ RELEASE DATE: N/A

A spirited, hopeful novel that serves as a reminder that change is always possible.

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A returned expat and a young artist take a road trip across America.

This novel from Freedman (Bounce, 2011, etc.), a Pulitzer Prize–winning journalist, is a tale of reinvention and second chances. Serial entrepreneur and perpetual optimist Benjamin East left America nearly 40 years ago to try his luck in Brazil. Now, it’s 1980, and having lost both his fortune and his beloved wife, Gisela, he steps off the plane in Miami, hops on the Greyhound, and heads north, intent on selling his quirky first novel to a New York publisher. In Washington, D.C., he’s waylaid by the decades-younger Amy, who’s fleeing her abusive husband. Somewhat implausibly, Amy begs Benjamin to accompany her to New York, where she hopes to become an artist. Both get a rude awakening in Manhattan. Publishers dismiss Benjamin’s writing as amateurish, while Amy’s work is deemed too primitive for art school. This unlikely pair then light out for San Francisco, believing that California will be more welcoming to a pair of outcast dreamers. Along the way, they begin to understand what they’re really searching for. Benjamin is a classic American huckster and a salesman (he claims to have invented the phrase “the Big Apple”) who is by turns charming and grating. His fast talk exhausts, but his desperate last-chance attempts at success are touching nonetheless. In the most affecting passages, he reflects on his early days in Brazil and his relationship with Gisela, which seemed promising but became as “meandering as the River of Doubt,” marred by disappointments both personal and professional. His unlikely relationship with Amy is surprisingly complex, though there are moments when she comes across as more of an aging man’s sexual fantasy than a person. And most of the people Benjamin and Amy encounter on their journey, like pompous writer Joshua and cowboy-drifter Maynard, are little more than stock characters. Yet Freedman pulls it all together in the final pages with an ending that embraces the “infinite possibilities” of life.

A spirited, hopeful novel that serves as a reminder that change is always possible.

Pub Date: N/A

ISBN: 9781939555106

Page Count: 282

Publisher: Bright Lights Press

Review Posted Online: June 4, 2015

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

- BOOK REVIEW
SOLITO, SOLITA
edited by Steven Mayers & Jonathan Freedman

- BOOK REVIEW
FROM CRADLE TO GRAVE
by Jonathan Freedman

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TRUE BETRAYALS

by Nora Roberts ‧ RELEASE DATE: June 13, 1995

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

Categories:

GENERAL FICTION

- BOOK REVIEW
INHERITANCE
by Nora Roberts

- BOOK REVIEW
IDENTITY
by Nora Roberts

- BOOK REVIEW
THE CHOICE
by Nora Roberts

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.