Comprehensive and compassionate—an essential text of American history and culture.
Holland Times arts critic Gill (American History and Literature/Manhattan School of Music) charts the astonishing transformations, upheavals, revolutions and continual renaissances that have affected the uptown terrain and population for hundreds of years.
In 1609, Henry Hudson glimpsed the Manhattan shoreline and exchanged fire with the local Indians, thus commencing the cultural clashes that continue in the present. The author traces the story of the area from its geological history to the current times of Al Sharpton (who fares poorly here). In the early chapters, Gill summarizes the stories of the Algonquin people and the original Dutch settlers, who laid out their New Haarlem in the mid 17th century. Then the British decided they owned the island, took over and fecklessly renamed New Haarlem “Lancaster,” a name that didn’t last long. The author follows the colonial history, the significance of the region in the American Revolution (Washington won a key victory at Harlem Heights) and the transformations wrought by the New York and Harlem Railroad and commerce (and greed). As Gill notes, Harlem was for many decades a center of recreation for downtowners, featuring plentiful forests and beautiful geological formations. Soon, it was human entertainment—music, drama, dancing, art and the allures of alcohol and assorted illicit behaviors—that became the principal attraction. Mansions rose, and the wealthy partied hard. Then Harlem began to attract a wide assortment of minorities—Latinos, African-Americans, Jews from Eastern Europe, Italians. By the early 19th century, more and more blacks were calling Harlem home, and as the economy cracked, racial fireworks commenced, raged throughout the Civil War and far beyond. As Gill writes, however, the area has long been home to an amazing assortment of talented individuals—politicians (Marcus Garvey), athletes (Lew Alcindor), writers (Langston Hughes), musicians and performers (Paul Robeson), intellectuals (W.E.B. Du Bois) criminals (Casper Holstein).
Comprehensive and compassionate—an essential text of American history and culture.Pub Date: Feb. 1, 2011
ISBN: 978-0-8021-1910-0
Page Count: 496
Publisher: Grove
Review Posted Online: Sept. 27, 2010
Kirkus Reviews Issue: Oct. 15, 2010
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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