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The Mythology, the Metal and the Hourglass

A novel that offers new flourishes on a spiritual mainstay but stumbles over its own attempts at ambiguity.

A reimagining of the story of Adam and Eve that provides a complex, harrowing vision of two characters’ struggles.

Alphason and his helper, Evere, frolic naked in a garden paradise. Alphason spends his time naming each creature he comes upon, as commanded of him by his creator, The Word. Meanwhile, the Tree of Life sustains them, creating new wonders from fallen fruit. The Word’s only condition is that they never eat from the Tree of Knowledge. As expected, however, a serpent appears (in this case, a limbed reptile), which entices them to sample the tree’s fruit, and soon their world tumbles into entropy. Later, the lizard returns, now as a fiery-haired conqueror called The Werd, who enslaves both of them. The Werd’s amnesiac followers soon join them: white-robed people called “fallen sand,” who have also betrayed The Word. The Werd eventually introduces lies to the world, as flaming swords crash to the earth and great white birds and a vicious leviathan threaten The Word’s forsaken children. Their only ally is The Ghost, a gigantic dog who watches and protects them from afar, and who provides particular comfort when Alphason is separated from his true love. Hammock’s debut isn’t a by-the-numbers retelling of the Abrahamic creation narrative; instead, it employs a nonlinear structure that first introduces readers to the lonely Alphason after his fall, as he inhabits a wasteland of snow with The Ghost. Overall, the novel’s lyrical prose style adds greatly to its parable-like tone. However, as the narrative moves chronologically backward and forward, it never settles into a straightforward retelling, and its sometimes vague manner of introducing characters may cause confusion. At times, unclear language (“The dog had left his stars and path behind and went to another place as did whoever was responsible for the footprints”) also muddles the story. Much of this tale is left ambiguous, as in its source material; however, the clear, direct biblical parallels become more difficult to discern after Alphason and Evere’s paradise is spoiled. This usefully distances the work from its better-known inspiration, but it also eliminates many familiar touchstones.

A novel that offers new flourishes on a spiritual mainstay but stumbles over its own attempts at ambiguity.

Pub Date: Oct. 5, 2014

ISBN: 978-1-312-46816-0

Page Count: -

Publisher: CreateSpace

Review Posted Online: Dec. 5, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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