Brimming with characters and moments that give the reader a reason to ponder, lying behind every laugh and eccentricity.
A debut collection of 12 stories centers on humans, animals, and talking appliances as they endure loss and betrayal, all with a firm grasp on hope.
The opening tale, “The Sea Otter and the Terraformed Planet,” sets the book’s tone, a zaniness ultimately offset by a sobering message. The titular mammal, who regularly converses with the planet, is the world’s only conscious being. Unhappy with basic amenities the planet provides, the Sea Otter demands more, including a “smart phone” (he’s not sure what it is, just that he wants one). But when he has to share the planet with other sea otters, he’ll grow to resent them for what they have. Later tales follow suit. “A Proposed Game of House Risk” features a hilarious update on the strategy board game Risk, but one that turns frighteningly serious once a sledgehammer enters the picture. Similarly, a 9-year-old girl in “To the Moon, Iris” searches for seven butterflies to help her escape to the moon; it’s an endearing take on a child’s imagination (though it could be real), but Iris is fleeing her physically and verbally abusive father. So many of the book’s characters are tortured in some way, like Tom of “Into Baratova” losing his father, or Sam in “The Silent Drive,” whose frequent hospital visits courtesy of Danny aren’t even the reason he hates his older brother—there’s something much worse. Optimism, however, often finds a place within Hatch’s stories. In “The Best Visitor,” Bradley’s best friends are his kitchen appliances, but the toaster may convince him to interact with another human. And Francis Price, in “My Father, the Hero,” tells of dad Arthur, who, living in his car, became truly heroic when he one day stepped outside of his 1962 Ford Cortina to stop a “Super Villain.” Every story, to a certain extent, is driven by what seems otherworldly or characters’ outrageous behavior, like an investment firm CEO who literally won’t stop swimming (“The Constant Swimmer”). But as the title implies, there’s an authenticity throughout, a book that makes the extraordinary both plausible and believable.
Brimming with characters and moments that give the reader a reason to ponder, lying behind every laugh and eccentricity.Pub Date: Feb. 15, 2016
ISBN: 978-1-5300-5961-4
Page Count: 220
Publisher: CreateSpace
Review Posted Online: May 12, 2016
Review Program: Kirkus Indie
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
