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HAMMOND

A compelling work of fiction that successfully captures the anger, frustration, and freedom of kids on the brink of...

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Lapoma’s (The Summer of Crud, 2018) novel tells the story of a group of misfit boys navigating adolescence in northern Buffalo, New York.

James Lombardi narrates the story of his childhood, during which he contended with a bullying clan of seventh-graders at his Catholic middle school; an angry, unforgiving father; and a gaggle of siblings. James calls his mental illness “the Darkness”; it manifested as periods of murderous “Evil Thoughts,” disembodied voices, and random violent outbursts. “A war had begun inside my head.” James reflects. “I was nine. I had no idea I was now both superhero and villain.” Still, he managed to remain focused thanks to basketball games, schoolwork, an ambitious newspaper-delivery route, and a series of mind-calming rituals to ensure sleep. He played basketball at Hammond Park with a rebellious group of outcasts that included Gerry, Tony, James, ringleader Ray, and others. They all found common ground on the courts, and as they incrementally matured over the next few years, they experimented with sex and drugs and dreamed of becoming basketball stars. Lapoma’s first-person narrative effectively and evocatively captures James’ frail emotional state as he stumbles through boyhood and his early adult years. The author is wise to incorporate moments of humor into his story, which leavens other parts of the book, such as those that focus on James’ psychologically precarious psyche. He also demonstrates a distinct knack for characterization for both his central players and peripheral ones, such as the local monsignor, who spouts expletives out a rectory window. The description of 13-year-old Luke, known among the kids as the “King of Hammond,” is also skillfully handled. Overall, this is an earnest, hardscrabble story of restless youth, mental illness, and the saving grace of sports-inspired camaraderie.

A compelling work of fiction that successfully captures the anger, frustration, and freedom of kids on the brink of adulthood.

Pub Date: Dec. 18, 2018

ISBN: 978-0-9988403-5-2

Page Count: 290

Publisher: Almendro Arts

Review Posted Online: Nov. 15, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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