The creators of Voices of the Wild (1993) highlight California's Tule elk (once nearly extinct) in this dramatic but sketchy vignette. Though London conveys some general information about the animal's growth and seasonal behavior, his rudimentary plot—an elk evades a mountain lion twice, once as a calf, again years later after fighting its way to master of the herd—leaps across years and ends abruptly. The close-up views of antlers and animal faces in the paintings catch the eye, but backgrounds are nearly nonexistent and much of the action described in the text— the cougar taking down an old cow, an old bull elk knocking a younger challenger off balance—occurs offstage. Books with more precise, specific observations, like Susan Bonners's Hunter in the Snow (1994), deliver clearer insight into the natural world's checks and balances. (Picture book. 5-7)
Pub Date: Oct. 1, 1995
ISBN: 0-517-59917-1
Page Count: 32
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up. Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields. Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)
Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
Very young gardeners will need more information, but for certain picky eaters, the suggested strategy just might work.
A young spinach hater becomes a spinach lover after she has to grow her own in a class garden.
Unable to trade away the seed packet she gets from her teacher for tomatoes, cukes or anything else more palatable, Sylvia reluctantly plants and nurtures a pot of the despised veggie then transplants it outside in early spring. By the end of school, only the plot’s lettuce, radishes and spinach are actually ready to eat (talk about a badly designed class project!)—and Sylvia, once she nerves herself to take a nibble, discovers that the stuff is “not bad.” She brings home an armful and enjoys it from then on in every dish: “And that was the summer Sylvia Spivens said yes to spinach.” Raff uses unlined brushwork to give her simple cartoon illustrations a pleasantly freehand, airy look, and though Pryor skips over the (literally, for spinach) gritty details in both the story and an afterword, she does cover gardening basics in a simple and encouraging way.
Very young gardeners will need more information, but for certain picky eaters, the suggested strategy just might work. (Picture book. 5-7)Pub Date: Nov. 6, 2012
ISBN: 978-0-9836615-1-1
Page Count: 32
Publisher: Readers to Eaters
Review Posted Online: Sept. 25, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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