In image-rich, sometimes impressionistic prose, the prolific London captures sights and sounds of summer afternoons, then celebrates a game of baseball played in the gloaming until called by darkness. Widener composes an idyllic suburban setting of spacious, rolling lawns, across which four young neighbors gambol as the skies gradually darken, and fireflies come out to mingle with the stars. Before going back inside their homes to dream baseball dreams, the children open the jars of fireflies they’ve collected: “They flit like sparks from a bonfire at a marshmallow roast. They dance and flash and bounce in the dark air, then disappear among the stars. Good night, fireflies!” Along with Charlotte Zolotow’s atmospheric Summer Night (1991) or kindred idylls like Julie Brinckloe’s Fireflies! (1985) or Eleanor Schick’s One Summer Night (1977), this evocation of “The tinkle of ice in tall iced-tea glasses. The thong-thong of backyard badminton,” will bring back those hazy crazy days for any readers wondering whether winter will ever end. (Picture book. 7-9)
Pub Date: May 1, 2003
ISBN: 0-525-45404-7
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the...
Using science and technology, third-grader Ada Lace kicks off her new series by solving a mystery even with her leg in a cast.
Temporarily housebound after a badly executed bungee jump, Ada uses binoculars to document the ecosystem of her new neighborhood in San Francisco. She records her observations in a field journal, a project that intrigues new friend Nina, who lives nearby. When they see that Ms. Reed’s dog, Marguerite, is missing, they leap to the conclusion that it has been stolen. Nina does the legwork and Ada provides the technology for their search for the dognapper. Story-crafting takes a back seat to scene-setting in this series kickoff that introduces the major players. As part of the series formula, science topics and gadgetry are integrated into the stories and further explained in a “Behind the Science” afterword. This installment incorporates drones, a wireless camera, gecko gloves, and the Turing test as well as the concept of an ecosystem. There are no ethnic indicators in the text, but the illustrations reveal that Ada, her family, and bratty neighbor Milton are white; Nina appears to be Southeast Asian; and Mr. Peebles, an inventor who lives nearby, is black.
The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the chapter-book world. (Fiction. 7-9)Pub Date: Aug. 29, 2017
ISBN: 978-1-4814-8599-9
Page Count: 128
Publisher: Simon & Schuster
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
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