by Jonathan Papernick ‧ RELEASE DATE: May 12, 2015
Papernick (The Ascent of Eli Israel, 2002, etc.) plows fresh ground in this terrorist thriller, but for all the book's...
Following the death of his father, a disgraced judge, psychologically disheveled Matthew Stone is drawn into a pre-9/11 terrorist plot by Jewish extremists in Brooklyn.
Stone, an only child whose grandfather was a notorious gangster, clings to the belief that his father was clean—that he didn't, among other alleged misdeeds, rig a jury to let off the Jewish killer of a Palestinian shopkeeper. The substance-abusing, self-mutilating Matthew's greatest source of comfort is wearing the judge's robes and reading his vast collection of books, viewing the underlined passages as clues to his distant old man's true identity. But Stone's misery and confusion intensify with the sudden appearance of his Israeli "Uncle Zal," an old friend of his father's, who, beneath his expressions of caring and religiosity, is mainly interested in gaining access to the vast amount of money the judge left behind; Matthew's mother, an acclaimed painter who left the family when he was 12, who now warns him to stay away from Zal; and an FBI agent who wants Stone to be his confidential informant on the terrorist plot. At its best, the book is a gripping and timely look into a subculture that's bonded by loyalty but driven by hate to avenge anti-Jewish crimes. Papernick, a Boston-based Toronto native who's spent time in Israel, does a good job of sketching the historical context of his characters' actions. But Stone is so self-loathing that he never earns our sympathy, and he's such a bundle of unresolved conflict and doubt that even the author seems unsure of who he is in the end. His ill-fated romances, with a Palestinian girl in Jerusalem and a Jewish girl with hidden motives in Brooklyn, are the least successful parts of the novel.
Papernick (The Ascent of Eli Israel, 2002, etc.) plows fresh ground in this terrorist thriller, but for all the book's strong background elements, the young protagonist is such a mess that he loses the reader's interest.Pub Date: May 12, 2015
ISBN: 978-1-94149-304-5
Page Count: 400
Publisher: Fig Tree Books
Review Posted Online: March 23, 2015
Kirkus Reviews Issue: March 15, 2015
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by Michael Crichton ‧ RELEASE DATE: May 23, 2017
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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by Karin Slaughter ‧ RELEASE DATE: Sept. 29, 2015
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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