by Jonathan Schneer ‧ RELEASE DATE: Sept. 1, 1999
A thorough, impressive tour of imperial London a century ago and of the dissenting voices that finally helped the sun set on this bastion of Eurocentrism. History professor Schneer (Georgia Institute of Technology) lets readers view the grimy streets, polished offices, and dockside warehouses of old London, as well as the hearts and minds of its elitist, racist denizens. History’s greatest empire, controlling 400 million people, was governed from a metropolis of 6 million, with a vast port and financial center. Yet while the horns of African rhinos and skins of Canadian seals piled up alongside mineral and material wealth taken in “tribute” from the West Indies, South Africa, Australia, India, etc., Schneer produces those who defied the “continual barrage of imperialist propaganda.” Beginning with half a million Irish and swelled by eastern and central Europeans, Jews, and Asians, there were sufficient foreigners and people of color to bristle at the exotic, caged “darkie” and animal spectacles and to join liberals, unionists, and early feminists who fought the many injustices of Britannia. Schneer documents the battles of several individuals who saw beyond the profits of near-slave labor on Chinese railroads, Latin American sugarcane fields, African mines, Borneo rubber plantations, and Ceylonese tea farms. Just as Ben Tillet’s Stevedores Union took on London shipping, Lord George Hamilton “did not believe that Indians should serve as cannon fodder” as conflicts beside the Boer War flared. A cultural hero and pioneer of anthropological relativism was Mary Kingsley, who explored deepest Africa and shockingly concluded that blacks are different, not inferior. Schneer’s masterful work reminds us how far we—ve come in our ongoing Copernican revolution to prove that the globe doesn—t revolve around white English-speaking men. (40 illustrations, not seen)
Pub Date: Sept. 1, 1999
ISBN: 0-300-07625-8
Page Count: 416
Publisher: Yale Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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