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REINVENTING JENNA ROSE

An astute, respectful treatment of a serious issue, featuring a strong protagonist.

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In Iraci’s debut novel, a Californian teenager tries to escape her traumatic childhood by tracking down her grandmother in New York City.

Jenna Rose’s mother, Meghan, leaves her 17-year-old daughter home alone while she’s away on business. This certainly isn’t an uncommon occurrence, so the teenager is unconcerned—until she learns that her estranged father, Alan, whom Meghan divorced four months earlier, will be stopping by during Meghan’s absence. Jenna doesn’t want to see him, so she concocts a plan that will allow her to avoid him: She’ll visit her maternal grandmother, Katherine O’Connor, whose existence Jenna only recently discovered; Meghan had previously told her that all of her other relatives were dead. Using her mom’s shiny new platinum credit card, Jenna books a flight to New York and shows up at Katherine’s door. The older woman, whom Jenna eventually dubs “Grand,” willingly takes her in. The teen slowly adjusts to her new life in the city, which entails attending private school with snarky classmates, including the rather contemptible Nicole Elliott. However, Jenna also makes her first real friend: Gabrielle Yvonne “Gypsy” Puteri, an uninhibited but good-natured professional model. Grand knows that there’s something harrowing in Jenna’s past, and it’s unquestionably related to Alan—a photographer whom cops later arrest on serious and disturbing charges. Jenna opens up to Grand and therapist Christine Gautier about her childhood trauma, and struggles with her impending testimony at a trial in open court. Iraci’s sharply written tale incisively tackles the subject of child abuse. Such abuse has clearly affected Jenna deeply, as she’s now prone to what appear to be severe panic attacks. The teenager aptly states in her narration that Alan “raped” her childhood and stole from her “a normal child’s life.” As might be expected, the book’s tone is often grim, as the protagonist endures not only her considerable trauma, but also a largely neglectful mother and terrible classmates. But Jenna’s allies help to alleviate the bleakness of the narrative. Grand, for example, keeps Meghan and Alan away from Jenna long before she knows the full details of her granddaughter’s secret. The teenager also receives a good deal of emotional support from Gypsy and Jenna’s loyal German shepherd, Gracie. Jenna herself offers some occasional moments of humor, as when a nurse asks her if she wants to sign an organ donor card, and she wearily responds, “Sure, take whatever you want.” Iraci’s portrayal of the wealthy feels somewhat inconsistent; Jenna’s affluent schoolmates are depicted as spoiled, but it’s also noted that sympathetic Grand’s estranged siblings disapproved of her and her late husband’s riches. Jenna, however, is a steady character who retains certain traits even as her character evolves, such as her general wariness of most people. The story takes readers through Alan’s trial and Jenna’s unnerving time on the stand; a memorable final act shows an older Jenna who, despite a loss or two, finds resolution.

An astute, respectful treatment of a serious issue, featuring a strong protagonist.

Pub Date: May 6, 2019

ISBN: 978-0-9991370-4-8

Page Count: 269

Publisher: Fat Dog Books

Review Posted Online: Aug. 26, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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