A perfunctory effort.
A select set of pop-up prehistoric portraits, with bite-sized facts for dedicated dinophiles.
In contrast to previous Curious Kids outing Explore the Meadow (2020), this gallery has a slapdash air. Including a less-than-melodramatic opening tableau that features a sauropod who looks almost comically resigned to becoming a theropod’s next meal, five of the eight central pop-ups are just static portraits that hover over stylized prehistoric backdrops. Of the other three, one offers a face-on T. rex with a comically tiny (but toothy) mouth and another, a giant meteorite that actually rises as the spread opens. The fact bits scattered at random are occasionally mind-blowing (“Stegosaurus and Tyrannosaurus lived further apart in time than Tyrannosaurus and humankind”) but more often run to obvious truisms, misstatements (no, Diplodocus was not conclusively the longest dino), or outright non sequiturs: “Some were FEROCIOUS! Others were TALL.” Some of the real-world comparisons do not provide sufficient context: “Even a pig would have been able to run past [Ankylosaurus] with ease”—but how fast does a pig run? Moreover, all but one of the dinosaurs posing on the first and last spreads go unidentified, and Marx also manages to leave birds out of his closing list of dinosaur-age survivals. It’s a shame given the child-attracting combination of topic and format. Companion title Stars and Space publishes simultaneously.
A perfunctory effort. (Informational pop-up book. 5-7)Pub Date: May 4, 2021
ISBN: 978-1-68010-653-4
Page Count: 16
Publisher: Tiger Tales
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
Fine fare for younger dinosaur lovers, particularly those of a hands-on sort.
A set of pop-up prehistoric specimens to assemble and insert in a museum exhibit.
Two young tour guides, “Mary” (after Mary Anning) and “Barnum” (after Barnum Brown), squire readers through a soon-to-open dinosaur hall. There they point out slots where each of the five pop-up models—of Stegosaurus, Liopleurodon, Pteranodon, and Triceratops as well as T. Rex skulls—can be (gluelessly) attached and add side comments to the already-placed explanatory and descriptive labels. Neatly hidden beneath a large front flap along with printed assembly diagrams that make matching the various slots and tabs relatively easy, the large punch-out pieces turn into simplified but reasonably realistic models. Smaller specimens of dino poop, a fossilized egg, and other enhancements also have waiting slots in side cases. The pop-ups aren’t the whole show, either, as the parts of the exhibit already in place in the background illustrations and narrative boxes offer a basic but solid picture of dinosaurian types, features, and habits. Mary presents black, and Barnum presents white.
Fine fare for younger dinosaur lovers, particularly those of a hands-on sort. (Informational novelty. 5-7)Pub Date: Oct. 16, 2018
ISBN: 978-1-78868-128-5
Page Count: 24
Publisher: Lonely Planet
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Best read in addition to watching the video, this piece represents an important moment in U.S. history.
Mulford’s song about the tragic church shooting in Charleston in 2015 is transformed into a picture book.
The rhyming lyrics are simple, describing how a stranger came to a house of worship and was “let…in,” though “he was not friend, he was not kin.” The stranger “seemed to pray” but then he “drew a gun / and killed nine people, old and young.” On this spread, white text contrasts with an all-black painted background. President Barack Obama’s appearance with the community of mourners is then pictured with the chorus: “no words could say what must be said / for all the living and the dead // So on that day and in that place / the president sang Amazing Grace.” The painted pictures, with tones of blue, black, and purple, move from the church to a montage of clasped hands, a crowd of mourners, various pictures of Obama, and a spread showing each of the nine victims. The song can be found online, and its performance is deeply moving; in the video, the lyrics and paintings are a stunning combination, making this book seem like a great idea. Without the music though, the book lacks the soulfulness of the video, and the unfinished look of the static paintings is not nearly so effective. Endnotes describe each contributor’s relationship to the work (including performer Joan Baez and filmmaker Rick Litvin) and contain a QR code to access the video; endpapers provide sheet music.
Best read in addition to watching the video, this piece represents an important moment in U.S. history. (Picture book. 5-7)Pub Date: Sept. 24, 2019
ISBN: 978-1-944903-84-8
Page Count: 40
Publisher: Cameron + Company
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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