Charming and instructive: It’s as if Machiavelli had been turned upside down and given a good shake.
In a well-shaped original fairy tale, Argentine writer Bucay tells the story of a king who transforms from windbag to wise man with the help of an even wiser man.
As kings will do, he sees himself as the height of power, admiration and obedience; his subjects fear him. It comes to the king’s attention that a humble village magician possesses powers even greater than the king: He can see the future. The king sets an evil trap, inviting the magician to dinner and then posing the question: “Tell me the exact date of your death.” The magician replies: “[T]he magician of this kingdom will die the exact same day as his king.” That takes the wind out of the king’s sails. He must keep the magician safe, and in so doing, he spends much time in the old man’s company. Subconsciously, the king starts to ingest the magician’s advice, advice about justice, caring and love—and so the king begins to resemble the magician. Bucay’s text in an uncredited translation is appropriately folkloric and tinged with humor. Gusti’s artwork is a potpourri of dreamy shapes mingled with the sharp edges of turrets, tiles, cypress trees, a crescent moon and speckled clouds.
Charming and instructive: It’s as if Machiavelli had been turned upside down and given a good shake. (Picture book. 4-8)Pub Date: Sept. 2, 2014
ISBN: 978-0-7892-1204-7
Page Count: 52
Publisher: Abbeville Kids
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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