This outstanding bilingual autobiography encapsulates the life-changing power of having a goal and the will to achieve it.

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THE BOY WHO TOUCHED THE STARS / EL NIÑO QUE ALCANZÓ LAS ESTRELLAS

Working the fields of California’s Central Valley by day and staring up at the stars by night, young José M. Hernández had an impossible dream: to become an astronaut.

Even though the U.S.–born migrant farmworker didn’t speak English until he was 12, José swore he would realize that dream. With his Mexican parents’ support, he followed his father’s “recipe” for success: “Identify my goal, determine how long it would take me to achieve it and create a plan to reach it.” His mother added that he should strive for excellence in school, and José contributed his own special ingredient: “never ever give up!” After earning degrees in electrical engineering, he applied to NASA and was rejected—11 times. In order to better his chances of entering the program, he became a pilot, was certified as a scuba diver, and learned Russian. NASA finally accepted his 12th application, and in 2009 he blasted into space. Hernández’s descriptive narrative flows effortlessly in both English and Baeza Ventura’s Spanish translation and is easily accessible. Petruccio’s colorful and detailed paintings bring this amazing adventure to life, hazy backgrounds giving the scenes a pleasing dreamlike quality. Hernández closes his account with a heartfelt exhortation to readers to pursue their own dreams, asking them “Which stars do you want to touch?”

This outstanding bilingual autobiography encapsulates the life-changing power of having a goal and the will to achieve it. (Bilingual picture book/biography. 7-12)

Pub Date: May 31, 2019

ISBN: 978-1-55885-882-4

Page Count: 32

Publisher: Piñata Books/Arté Público

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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Involving from "the end of my lovely world" to the end of exile (when the Rudomins, as Jews, were jeered in Poland), this is...

THE ENDLESS STEPPE

GROWING UP IN SIBERIA

To Esther Rudomin at eleven Siberia meant the metaphor: isolation, criminals and cruel punishment, snow and wolves; but even in Siberia there is satisfaction from making a friend of a prickly classmate, from seeing a Deanna Durbin movie four times, from earning and studying and eventually belonging.

Especially in Siberia, where not wolves but hunger and dirt and cold are endemic, where shabbiness and overcrowding are taken for granted, where unselfishness is exceptional. At the heart of Mrs. Hautzig's memoir of four years as a Polish deportee in Russia during World War II is not only hardihood and adaptability but uniquely a girl like any other. Abruptly seized in their comfortable home in Vilna, Esther and her family, are shipped in cattle cars to Rubtsovsk in the Altai Territory, work as slave laborers in a gypsum mine until amnesty, then are "permitted" lobs and lodging in the village--if someone will take them in. After sleeping on the floor, a wooden platform is very welcome; after sharing a room with two other families, a separate dung hut seems a homestead. Then Esther goes to school, the greatest boon, and, to her mother's horror, wants to be like the Siberians....Deprivation does not make Esther grim: the saddest day of her life is her father's departure for a labor brigade at the front, her sharpest bitterness is for the bland viciousness of individuals.

Involving from "the end of my lovely world" to the end of exile (when the Rudomins, as Jews, were jeered in Poland), this is a beautiful book with no bar to wide acceptance (and a rich non-juvenile jacket by Nonny Hogrogian). (Memoir. 8-12)

Pub Date: April 15, 1968

ISBN: 978-0-06-447027-8

Page Count: 256

Publisher: T.Y. Crowell

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: April 1, 1968

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The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for...

TWO MEN AND A CAR

FRANKLIN ROOSEVELT, AL CAPONE, AND A CADILLAC V-8

A custom-built, bulletproof limo links two historical figures who were pre-eminent in more or less different spheres.

Garland admits that a claim that FDR was driven to Congress to deliver his “Day of Infamy” speech in a car that once belonged to Capone rests on shaky evidence. He nonetheless uses the anecdote as a launchpad for twin portraits of contemporaries who occupy unique niches in this country’s history but had little in common. Both were smart, ambitious New Yorkers and were young when their fathers died, but they definitely “headed in opposite directions.” As he fills his biographical sketches with standard-issue facts and has disappointingly little to say about the car itself (which was commissioned by Capone in 1928 and still survives), this outing seems largely intended to be a vehicle for the dark, heavy illustrations. These are done in muted hues with densely scratched surfaces and angled so that the two men, the period backgrounds against which they are posed, and the car have monumental looks. It’s a reach to bill this, as the author does, a “story about America,” but it does at least offer a study in contrasts featuring two of America’s most renowned citizens. Most of the human figures are white in the art, but some group scenes include a few with darker skin.

The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for thought. (timeline, bibliography) (Picture book/biography. 10-12)

Pub Date: March 12, 2019

ISBN: 978-0-88448-620-6

Page Count: 64

Publisher: Tilbury House

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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