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INTER STATE

ESSAYS FROM CALIFORNIA

A stunningly written, unevenly paced series of essays about California.

A native Californian of Mexican descent mourns the ways in which his home state has been rendered inaccessible and unrecognizable to those who remain.

A self-described “Mexi-Rican,” essayist and playwright Vadi begins his journey by attempting to retrace his grandfather’s life as a migrant worker in Southern California, uncovering a history he is not sure his grandfather ever wanted him to know. The author then takes readers to the Bay Area, introducing us to Suzy’s, a San Francisco bar where he has fond memories of playing the jukebox every Monday after work. Vadi describes meeting friends on Market Street, avoiding arrest at a 2009 Oakland protest against the murder of a detained young Black man named Oscar Grant, skateboarding at a park colloquially known as “Hubba Hideout,” and encountering racism at a performance of the Nutcracker. The narrative ultimately returns to Southern California, and the author introduces his mother and father, who still live in Pomona, where the author grew up. Regardless of setting, every essay in this sharp collection addresses a different aspect of California’s gentrification, but the thread that holds the pieces together is Vadi’s own confusion, anger, and bitterness at watching the state that he knows and loves fade away before his eyes, providing a modern rejoinder to Richard Rodriguez’s kindred memoir Brown. At a line level, the book is outstanding, filled with long, breathless sentences, innovative syntax, and precise diction. Vadi’s talent shines in his descriptions of characters like his beloved but abused father or when he is raging against economic and social injustices, which are especially acute for “the broad swath of citizens and undocumented workers alike at the bottom of the wage-for-existence economic hierarchy.” Unfortunately, these characters, whom the narrator has lovingly shaped, disappear for pages at a time, resulting in sections bogged down by detail and a lack of momentum.

A stunningly written, unevenly paced series of essays about California.

Pub Date: Sept. 14, 2021

ISBN: 978-1-59376-695-5

Page Count: 224

Publisher: Soft Skull Press

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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