A competent but occasionally opaque biography of the Pulitzer Prizewinning poet and novelist. Some artists are done in by the bottle. Others fall to academia, economics, or indolence. But for Robert Penn Warren (190589) it was the sheer volume of his literary output—hundreds of poems, ten novels, several textbooks, and countless essays—that ultimately diminished his prodigious talent. Sometimes, particularly early on with novels such as All the King's Men or poems like ``Bearded Oaks,'' he managed to wring out almost- masterpieces. Too often, though, there was a feeling of exhaustion to his work, a dÇjÖ vu sense of old themes plumbed once too often. Blotner (Faulkner, 1984, etc.) would rank Warren here in the empyrean heights, but his case is not quite convincing. Nor is it helped by his slightly perfunctory treatment of Warren's novels or his failure to reach a full critical understanding of his subject. Blotner has fallen for the easy seduction of biography—the childhood on a Kentucky farm, the marriages, the travels, the maladies (Warren always seemed to be ill with something)— forgetting that the artist is almost nothing without the art. As a member of the Fugitives, one of the southern literary renaissance's more active offshoots, Warren did much to shape modern American literature, though more through his teaching and his groundbreaking critical work (with the scholar Cleanth Books) than his art. The southern literary network was characterized by logrolling friendships and a broad base of average talent surmounted by a few lofty geniuses (most notably Faulkner). Still, Blotner has done a great deal of research and deployed it subtly, and we should welcome any biography that looks beyond the colossus of Faulkner to remind us of the South's enormous modern literary vitality. (16 pages b&w photos, not seen)
Pub Date: Feb. 1, 1997
ISBN: 0-394-56957-1
Page Count: 544
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1996
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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