An excellent read. Let’s hope there’s more to come.

READ REVIEW

SALMON RIVER KID

Welcome to the Idaho Territory of 1872, where a boy and his father eke out a livelihood. If the winters don’t kill you, the claim jumpers might.

Novelist Dorris (Sheepeater: To Cry For a Vision, 2009, etc.) tells of Samuel (never Sam) Chambers and his father, Charles, who have come from Iowa to mine enough gold to return to and improve the farmstead, where Samuel’s mother and little sister wait. Samuel is 14, but he’s a mature, resourceful 14. Yet this beautiful if harsh land is unforgiving country, both in terms of nature and bad guys. He and his father work like dogs at their claims, only to have those claims jumped not once, but twice. There are decent people, too. On their horseback travels, Samuel meets the lovely Bonnie McCracken, and they fall in love. Samuel’s rival is the crude, treacherous Rex Callahan, a ranch hand at Slate Creek, but eventually, Samuel spares his miserable life, and Rex quits the territory. There are also many Chinamen in the territory; unsurprisingly, no love is lost between them and the whites. But Samuel has befriended them, especially another boy named Chen. Even Charles, a basically good man, grudgingly grants the Chinamen respect, but only on his son’s say-so. In a dramatic, hair-raising trek, Samuel and Chen elude but then face the claim jumpers, and later, Samuel and his father face even more claim jumpers. Dorris, a confident storyteller, writes notably well. He’s not afraid to dwell on detail as the coming-of-age tale slowly unwinds, keeping readers’ interest all the while. He knows gold mining, too, so readers should be prepared to learn a lot about placer mining, hard rock mining, assaying, and so forth. There are no cardboard cutouts here; even minor characters are well-drawn. In the end, the moral universe is put to rights, but—importantly—nothing comes easily.

An excellent read. Let’s hope there’s more to come.

Pub Date: March 7, 2014

ISBN: 978-1491721322

Page Count: 404

Publisher: iUniverse

Review Posted Online: March 9, 2015

Kirkus Reviews Issue: April 15, 2015

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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