Yes, it’s too long, resulting in a certain noticeable softness around the middle, but time and place are so vividly evoked,...
Kanon’s atmospheric, character-driven latest (Alibi, 2005, etc.) comes within a whisker of being flawless.
Hollywood, 1945: a place where an observer as shrewd as Ben Collier could easily conclude, “Nothing can lie like a smile.” Lots of smilers, lots of lies, lots of reasons for Ben not to believe that his brother Danny’s death was either a suicide or an accident, though both have been put forward as explanations. Still in uniform, Signal Corps officer Ben arrives in Hollywood on assignment to make a Nazi death-camp documentary for the army. He’ll work under the auspices of Continental Films and Sol Lasner, its pepper-pot founder and boss. But there’s a subtext, of course. In Germany, where they were boys, Ben adored his charismatic older brother. Danny’s charm, unflagging energy and zest for life were givens in the Kohler household. Suicide? Never! Accident? Well, perhaps, but Ben can’t be convinced of its likelihood. Though circumstances, mostly those attendant on being a Jew under Hitler, uprooted and eventually separated them, the brothers had remained in touch as best they could, while leading far-flung and disparate lives: Ben a soldier, Danny a movie producer. A movie producer with enigmatic sides to him, Ben discovers as his investigation intensifies. There’s the mystery surrounding his role as husband, for instance, to the beautiful Liesl, who will come to loom large in Ben’s own life. There are the unsettling ways Danny seems connected to the infamous Congressional Red-baiting that’s breaking so many careers and hearts now that the Russians are no longer U.S. allies. His brother had bitter enemies, Ben soon realizes. Which one was a murderer?
Yes, it’s too long, resulting in a certain noticeable softness around the middle, but time and place are so vividly evoked, and the writing is so strong, that most readers will be of a mind to forgive.Pub Date: Sept. 29, 2009
ISBN: 978-1-4391-5614-8
Page Count: 506
Publisher: Atria
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2009
Melodramatic yet wildly entertaining, with a smashing twist.
A woman meets her dream guy, but his mother is something out of a nightmare in Jones’ debut thriller.
Emily Havistock is immediately attracted to the handsome Adam Banks when they meet each other’s eyes across the room at a networking event for her London consulting firm, and even though she wasn’t looking for a boyfriend, it doesn’t take long before they’re seeing each other every night. Emily’s last relationship ended in disaster, but she feels a true connection to Adam, although he’s not forthcoming about his past. A couple of months into the relationship, he invites her to meet his mother, Pammie, and assures Emily that Pammie will love her. On the way, when Emily makes a light joke about his mom’s taste in music, Adam snaps at her. One would think that Emily might have considered cutting her losses then and there. But, no, Emily is enamored with Adam, so she vows to make it work. What follows is a hellish sequence of passive aggressive nastiness on the part of Pammie that would bring any woman to her knees, begging for mercy. Emily doesn’t feel like she can confide in Adam since he treats his mother like a saint, but she does have the support of her flatmate, Pippa, and best friend Seb. It doesn’t help that Emily feels undeniable sparks with Adam’s younger, very attractive brother, James. Things with Pammie eventually come to a head in a spectacular way, and Emily begins to realize that Adam may not be as perfect as she thought. Emily, who narrates, is relatable even if readers will root for her to put the fiendish, and fiendishly clever, Pammie in her place and smack Adam for not sticking up for her. Jones ratchets up the tension to the breaking point and throws in a curveball that will make readers’ heads spin.
Melodramatic yet wildly entertaining, with a smashing twist.Pub Date: Aug. 21, 2018
ISBN: 978-1-250-19198-4
Page Count: 304
Publisher: Minotaur
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
BOOK REVIEW
The resulting tension lifts this sturdy but uninspired procedural above most of its competition, though nowhere close to the...
Harry Bosch (The Drop, 2011, etc.) returns to yet another cold case—one that was taken out of his hand 20 years ago when it was still red hot.
Assigned to an emergency rotation in South-Central LA during the Rodney King riots, Harry’s sent out to an alley off Crenshaw Boulevard, where National Guard troops have found a body. The victim turns out to be Copenhagen journalist Anneke Jespersen, executed by a bullet to the head. With the city in the throes of a violent crisis, there’s no time to work this case or any other, and the death gets tossed into the deep freeze till it’s defrosted 20 years later by the LAPD’s Open-Unsolved Unit. Now, however, some remarkable developments are waiting to be discovered. The Beretta handgun used in the crime has been traced to long-imprisoned gangbanger Rufus Coleman, whose brief off-the-record statement allows Harry to link the gun to at least two other murders in the intervening years. If the search for information about the weapon, mostly carried out by Harry’s long-suffering partner David Chu, seems almost too easy, the questions that stymied Harry back in 1992—what brought a Danish reporter to America, to riot-torn LA and to the alley where she met her death, and why was she killed?—prove just as hard to answer, especially since Harry’s new boss, Lt. Cliff O’Toole, makes it clear that on the 20th anniversary of the LAPD’s darkest hour, he doesn’t want the only case from that sorry chapter cleared to be the one that involved a white woman. Harry naturally meets O’Toole’s opposition by raising the stakes.
The resulting tension lifts this sturdy but uninspired procedural above most of its competition, though nowhere close to the top of Connelly’s own storied output.Pub Date: Nov. 26, 2012
ISBN: 978-0-316-06943-4
Page Count: 416
Publisher: Little, Brown
Review Posted Online: Sept. 23, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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