Kertes’ voice is a lyrical one, and his work is frequently moving, but long passages seem to wash by without fully...
Two boys flee the 1956 Russian occupation of Budapest.
Robert and Attila (named for the Hun) Beck are brothers, ages 9.8 and 13.7, respectively, according to the ever precise Robert, who narrates this circuitous but fervent novel. Kertes (Gratitude, 2009), winner of the National Jewish Book Award, begins his newest work in his own native Budapest. It's 1956, and Russian soldiers have invaded the city to quash the Hungarian Revolution. With their family, the Beck brothers flee across the border, eventually landing in Paris. But their journey isn’t merely a geographical one. As they travel, Robert and Attila begin to uncover secrets about their Jewish family’s past. Those secrets revolve around a pair of mysterious figures: Raoul Wallenberg and Paul Beck. Here, Kertes is revisiting characters from his previous book, Gratitude, and perhaps for that reason, the material occasionally feels predigested. But Robert and Attila are a winning pair of guides. They are exposed to childbirth as well as to violence and death, experiences that are particularly dismaying for Robert, the wide-eyed younger brother. Meanwhile, Attila tries to make sense of things. Robert looks on as Attila grapples with skeins of tangled questions, which range in subject from the design of the human body to the meaning of God’s omniscience. He muses, “Did the Lord think up everything at once because he is omniscient? I guess I’m saying, how does that work—being omniscient, I mean? Did he start out, as a baby God, being somewhat omniscient? Did he start out as God of the Milky Way, only later to become God of the whole universe?” But when Attila and Robert ask their grandmother about the family’s wartime experiences, the boys are told: “News like that can wait.” There is, it seems, a limit to knowledge. Oddly, it is Attila’s flights of questions, and the final unveiling of those wartime secrets, that form the most vivid parts of this novel. On the other hand, the present day—1956, when Russian soldiers have beset Budapest—carries the watery tint of unreality.
Kertes’ voice is a lyrical one, and his work is frequently moving, but long passages seem to wash by without fully convincing the reader they’ve actually happened.Pub Date: Jan. 10, 2017
ISBN: 978-0-316-30811-3
Page Count: 256
Publisher: Little, Brown
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
BOOK REVIEW
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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