One superman’s bloody battles with negative power run amok.

THE WELLSPRING IMMORTAL

Beneath the gore of Nolan’s first novel lies a morality play in which a shaman passes along 1,200 years worth of life lessons to his successor through a gruesome fight that only one can survive.

Young Pico becomes an immortal superhuman, and he must choose good or evil as his driving force. This moral choice is also a physical one, because he was made immortal by the magic of the wellsprings. Its power comes with an insatiable addiction that can be fed only by blood and mastered only by supreme mental control. Pico learns the necessary skills through the teachings of his mentor, Kani, first in person, then by written legacy, then through harsh experience on his own. His story is a tour of violence across an Earth-like planet peopled with familiar archetypes—early Native Americans, Celts, Christians—altered to fit that world’s supernatural conditions. Everyone is fodder for the predatory Sachems, an immortal race fueled by the wellsprings. Pico becomes the strongest of them, and must either emulate Kani and control his addiction so he can foster the world or succumb and consume the population. Either way, he must conquer his nemesis, Enos. Once Kani’s friend, Enos chose the dark path while Kani chose the light, and only one of them can remain. Nolan tells their story in a dispassionate narrative with revolving viewpoints. Although engaging, the book comes across like a flat horror novel, because the characters react shallowly, if at all, to continual—and often extreme—brutality. Squeamish readers may need to skim in order to follow the plot without being revolted by some descriptions. And technically picky readers will stumble on consistent misuse of “lie” for “lay” and canoe paddles referred to as oars. Fantasy fans will appreciate the heroic-quest flavor and credible worldbuilding. Anyone romantically inclined, however, will want to hear about the positive-energy wellsprings instead of just the negative ones. Given that the book may launch a series, stories about positive wellsprings may emerge.

One superman’s bloody battles with negative power run amok.

Pub Date: Dec. 22, 2011

ISBN: 978-0615554150

Page Count: 158

Publisher: ICURYY, LLC

Review Posted Online: Sept. 17, 2012

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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