A plucky small girl in a new classroom manages to tell a story in English, even though it isn’t quite the one she intended. It’s 1955: Josephine’s teacher asks each student to tell a bit about themselves and where they are from. She listens carefully to Ling-Li and to Juan, but although she understands a lot of English, she’s not sure she has all the words she needs. When she tells the class she is from Napoli, Italia, her teacher asks if she lived on a farm, and she replies, “I go to farm one time.” From this single visit, with coaching from her teacher, Josephine reconstructs being kicked by a cow, and the cow pushed by a pig, into a river, and her getting them both out of the water. Josephine’s inventive dialogue captures the sound of a person searching for the shape of the right English word, and her success spurs her to go home to ask her parents how to say “Roman ruins” and “architectural engineers”—in English, of course. Ziborova’s (Crispin the Turtle, not reviewed) exuberant cut-paper and mixed-media collages are a fine foil for the text: Josephine’s elegant male teacher wears pinstripes; pictures and sketches of Naples float over architectural diagrams, and the cow and the pig have comically exaggerated features. Josephine herself wears a ’50s schoolgirl suit and a beret, and her quicksilver expressions might remind one of the illimitable Eloise. An author’s postscript relates Josephine’s story to the author’s own life as a child in Little Italy in the Bronx, but any child will respond to the joy of Josephine’s storytelling. (Picture book. 5-8)
Pub Date: Dec. 1, 2002
ISBN: 0-940112-07-8
Page Count: 32
Publisher: Gingerbread House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2002
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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