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SILVER LOVE

A refreshingly energetic novel featuring lovable heroines.

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In Murray’s debut novel, four lesbian friends navigate the romantic landscape of their senior years and support one another through hardships.

A group of women takes a trip to New Orleans, expecting an invigorating weekend of good food and music, and although their ages range from 58 to 69, they all share a passion for life. Dory and Robby have been romantic partners for more than 20 years; the former is spontaneous and sometimes absent-minded while the latter is practical and protective. Charlene is a down-to-earth former judge from humble beginnings who’s now running for State House representative; at the French Quarter Music Festival, a romance blossoms between her and a courteous woman named Lee Childs. Jill Hunt, the youngest and wildest of the group, is a sharp-witted woman with an inheritance who’s currently seeing a much younger woman. However, it soon becomes apparent that the women have secrets involving the success of Dory’s new book, the details of Jill’s money management, and the legitimacy of Charlene’s past employment. As the women face the consequences of deception, betrayal, and blackmail, their bonds become more important than ever. Murray alternates the focus among the four main women, extensively developing each character. Her depictions of their interactions, both platonic and romantic, make for entertaining reading. The romantic moments vary in tone, from the serious, steadfast intimacy of established partners to the infatuation of a casual affair, enlivened by several explicitly erotic scenes. Despite the gravity of the characters’ situations and their resulting emotional lows, the tone of the book is ultimately optimistic. Along the way, the author provides bits of casual wisdom; for instance, in the subplot about Dory’s journey as an author, Murray comments on the difficulties of breaking into publishing. The text is also self-aware of how stories about older lesbians don’t tend to receive a lot of mainstream attention. An older demographic may be this book’s main audience, but it merits consideration by adults of any age.

A refreshingly energetic novel featuring lovable heroines.

Pub Date: March 15, 2019

ISBN: 978-1-948232-51-7

Page Count: 334

Publisher: Sapphire Books Publishing

Review Posted Online: March 6, 2019

Kirkus Reviews Issue: May 1, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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