An accessible introduction to coding rules that also easily entertains.
A girl named Pearl programs a (rust-proof) robot to help her build sand castles in this new addition to the Girls Who Code organization’s book program.
The last day of summer vacation is Pearl’s last chance to build a sand castle. All her prior attempts have fallen victim to comic mishaps (such as a “moat” contributed by dog Ada Puglace). For backup, she brings her robot, Pascal, with whom she breaks down the full task—building the sand castle—into small problems: finding a place to build via specific instructions, gathering sand via a sequence (and more efficiently with a loop), and decorating the castle via an IF-THEN-ELSE statement. After she works out the kinks, the oncoming tide throws Pearl for a new loop—literally, as she reuses her previous computer code while adding a moat feature to handle the tide. The cheerful mixed-media illustrations and warm color palette fit both the subject matter and the can-do spirit of the book. The computer science terms are demonstrated in clear, concise ways, allowing them to be mined for humor (such as Pascal’s attempts to place the sand castle in unsuitable places until Pearl learns to be very specific), and serve the story without feeling obtrusive or too much like lessons. The backmatter gives fuller explanations of the terms. Pearl has brown skin and textured, black pigtails, and the other beachgoers are racially diverse.
An accessible introduction to coding rules that also easily entertains. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-425-29198-6
Page Count: 44
Publisher: Viking
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
This book sings.
Hamilton star Soo’s debut picture book centers on a young girl confronting stage fright.
Piper Chen twirls through her days with her mouth wide open. When Mr. Harris, her music teacher, asks Piper if she’d like to sing a solo in the Spring Sing, she immediately answers, “Yes!” But later, she finds herself frozen during practice. Later, Piper’s grandmother Nǎi Nai notices that Piper isn’t singing, and Piper explains about the solo and the butterflies in her stomach. Nǎi Nai understands and explains that she experienced “húdié” (Chinese for butterflies) at her first piano recital. They also visited whenever something exciting was ahead, like when she left China for America, when she graduated from music school, and when she became a U.S. citizen. “Now, when they greet me, I greet them back. ‘Hello, húdié. Nǐ hǎo.’” The night of the show, Piper feels the butterflies flapping their wings. She hums to herself, “Hello, húdié” and sings. Soo and Pasquale Doran sensitively capture the anxiety of performing and draw parallels with other life changes while giving readers a concrete tool for addressing those butterflies. Leng’s delicate, expressive ink, watercolor, and oil pastel illustrations capture Piper’s enthusiasm and uncertainty as well as Nǎi Nai’s loving warmth, working seamlessly with the text in vignettes and full spreads. Piper Chen and Nǎi Nai are Chinese American; Mr. Harris is brown-skinned.
This book sings. (Picture book. 4-8)Pub Date: April 2, 2024
ISBN: 9780593564691
Page Count: 40
Publisher: Random House Studio
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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