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GHOST DANCES

PROVING UP ON THE GREAT PLAINS

Occasionally uneven in the narrative flow, but mostly profound and enjoyable reading.

A young man charts the geography of his tumultuous childhood against the expansive backdrop of the Great Plains.

After his parents divorced, Garrett-Davis’ life was suddenly split between Pierre, S.D., and Portland, Ore. He spent much of his early years not only trying to process the abrupt dissolution of his family, but also keeping the secret of his mother’s lesbianism from the inherent backlash of South Dakota’s conservative culture. For years, the state’s right-wing governor, Bill Janklow, loomed like a flesh-and-bone boogeyman in the author’s mind. Despite the old hostilities, Garrett-Davis finds significant meaning in his home state’s “landscape of motion” and its long history of transient personalities. Deep sojourns into the weight and significance of nascent punk-rock record collections happily exist alongside intense observations about the demise of the great bison herds and even efforts to restart the Pleistocene epoch. Such meditations reach back further still, to the 65-million-year-old fossilized bones of a Tyrannosaurus Rex named Sue unearthed on the Cheyenne River Indian Reservation in 1990. Hiding a mother’s true identity, enduring a father’s simmering hostility and resisting South Dakota’s often oppressive culture undoubtedly made life hard for the author in his intensely introspective youth. After becoming firmly established in his new life in the East, Garrett-Davis nevertheless finds himself gazing at the Bronx Zoo's captive bison, struggling to grasp the narrative of his own life on the Great Plains. He largely succeeds, recognizing that seemingly opposite concepts of leaving and returning, embracing and rejecting, building and destroying may not be as mutually exclusive as they seem.

Occasionally uneven in the narrative flow, but mostly profound and enjoyable reading.

Pub Date: Aug. 21, 2012

ISBN: 978-0-316-19984-1

Page Count: 256

Publisher: Little, Brown

Review Posted Online: June 30, 2012

Kirkus Reviews Issue: July 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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