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MAKING LOVE WITH THE LAND

ESSAYS

An elegiac and elegant book of revelations, confessions, and reverberations.

A collection of essays by a poet, novelist, and professor of international Indigenous studies at the University of Calgary.

“Am I queer enough to be queer? Perhaps the answer is no. But also, perhaps the answer is yes.” So asks Whitehead, Oji-Cree/nêhiyaw, Two-Spirit/Indigiqueer member of Peguis First Nation. The author resists classification precisely because, borrowing a page from Walt Whitman, he contains multitudes. “I identify as Two-Spirit,” he writes, “which means much more than simply my sexual preference within Western ways of knowing, but rather that I am queer, femme/iskwewayi, male/ nâpew, and situated this way in relation to my homelands and communities.” In other words, even as he rejects old, often outdated terms, Whitehead demands to be deemed whatever he deems himself to be—a recipe for loneliness as a teenager, he allows, one that, with weight issues mixed into the brew, yielded cause for alienation and angst. The opening essay highlights an extended metaphor about likening himself to the rough-and-tumble “rez dogs” that own the territory between wild and settled. A brave rez dog was able to chase down a bear, an event that Whitehead likens to a kind of possession, the spirit of the bear churning inside himself as he eats it, “his amino acids and my body-milk coming together and syllabic elements.” While some of the pieces are celebratory, honoring the homeland implied in his title, others are mournful. Some focus on the recognition that the world is on the edge of apocalypse and that its Indigenous peoples “have moved into a post-dystopian future.” Then there is the loss of loved ones to death or separation, the cancers and other diseases that carry away parents and relatives. Throughout, Whitehead is a lyric poet writing in prose, proudly declaring himself to be “transgressive [and] punk”—and, very clearly, a survivor.

An elegiac and elegant book of revelations, confessions, and reverberations.

Pub Date: Nov. 15, 2022

ISBN: 978-1-5179-1447-9

Page Count: 232

Publisher: Univ. of Minnesota

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THAT'S A GREAT QUESTION, I'D LOVE TO TELL YOU

A frank and funny but uneven essay collection about neurodiversity.

An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.

From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.

A frank and funny but uneven essay collection about neurodiversity.

Pub Date: Oct. 28, 2025

ISBN: 9780063381308

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 12, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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